{"title":"Pre-Loved 7\" Singles","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong\u003ePre-Loved 7\" Singles\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eStep into the world of \u003cstrong\u003ePre-Loved 7\" Singles\u003c\/strong\u003e at Sounds + Grounds, your independent record shop in Cowes on the Isle of Wight.\u003c\/p\u003e\n\u003cp\u003eFrom chart-topping classics and jukebox favourites to rare pressings, cult releases and forgotten gems, the 7\" single remains one of the most iconic formats in music history. This collection celebrates the magic of the small record that delivered some of the biggest moments in pop, rock, soul, jazz, punk and beyond.\u003c\/p\u003e\n\u003cp\u003eWhether you're searching for original pressings, building a collection, rediscovering old favourites or digging for something completely unexpected, our ever-changing selection offers something for every music lover and crate digger.\u003c\/p\u003e\n\u003cp\u003eBrowse online or visit us in-store at Sounds + Grounds and discover your next essential 7\" single.\u003c\/p\u003e","products":[{"product_id":"the-smiths-heaven-knows-im-miserable-now-7-single","title":"The Smiths - Heaven Knows I'm Miserable Now","description":"\u003ch4\u003eThe Smiths – Heaven Knows I'm Miserable Now\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eReleased in 1984, \u003cem\u003eHeaven Knows I'm Miserable Now\u003c\/em\u003e is one of The Smiths' most beloved and enduring singles. Featuring Morrissey's unmistakable wit and self-deprecating lyricism alongside Johnny Marr's shimmering guitar work, the song perfectly captures the band's unique blend of melancholy, humour and irresistible melody.\u003c\/p\u003e\n\u003cp\u003eThe single marked an important moment in The Smiths' rise to prominence, becoming one of their first major chart successes and introducing bassist Andy Rourke's memorable bass line, which helps drive the song's instantly recognisable sound. Its themes of dissatisfaction, alienation and everyday frustration remain as relatable today as they were upon release.\u003c\/p\u003e\n\u003cp\u003eBacked with the poignant and powerful “Suffer Little Children,” a track from the band's acclaimed debut album, this classic 7-inch single is an essential piece of Smiths history and a must-have for collectors of indie and alternative music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA - Heaven Knows I'm Miserable Now\u003cbr\u003eB - Suffer Little Children\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zTkIzW6z6bA?si=nP2E2f6QUqOkyfji\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Rough Trade","offers":[{"title":"Default Title","offer_id":52771485057366,"sku":"RT 156","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/The_Smiths_-_Heaven_Knows_I_m_Miserable_Now_7_Cover.jpg?v=1772922247"},{"product_id":"boris-gardner-youre-everything-to-me-7-single","title":"Boris Gardiner - You're Everything to Me","description":"\u003ch4\u003eBoris Gardiner – You're Everything To Me\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eReleased during the height of Boris Gardiner's popularity, \u003cem\u003eYou're Everything To Me\u003c\/em\u003e is a smooth and heartfelt lovers rock single that showcases the singer's warm vocals and timeless romantic style. Best known internationally for hits such as “I Want To Wake Up With You,” Gardiner became one of Jamaica's most successful crossover artists, blending reggae rhythms with accessible pop melodies.\u003c\/p\u003e\n\u003cp\u003eThe title track delivers a tender declaration of love, wrapped in polished production and an easy-going groove that made Boris Gardiner a favourite on radio and dance floors alike. On the reverse, “Last Night” provides a fitting companion, continuing the soulful and melodic approach that characterises his best recordings.\u003c\/p\u003e\n\u003cp\u003eA charming example of classic lovers rock, this single remains a wonderful addition for reggae collectors and fans of romantic Caribbean sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA - You're Everything To Me\u003cbr\u003eB - Last Night\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LCmfcK17tR8?si=mBaVJMKdYSmFgVxq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Revue Records","offers":[{"title":"Default Title","offer_id":52776086995286,"sku":"REV 735","price":3.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/1000064382.jpg?v=1772991310"},{"product_id":"rick-nelson-rick-nelson-at-garden-party-7-single","title":"Rick Nelson ‎– Rick Nelson At Garden Party 7\" Single","description":"\u003cdiv class=\"@container\/main relative flex min-w-0 flex-1 flex-col -translate-y-[calc(env(safe-area-inset-bottom,0px)\/2)] pt-[calc(env(safe-area-inset-bottom,0px)\/2)]\"\u003e\n\u003cdiv class=\"@w-sm\/main:[scrollbar-gutter:var(--stage-scroll-gutter)] touch:[scrollbar-width:none] group\/scroll-root relative flex min-h-0 min-w-0 flex-1 flex-col [scrollbar-gutter:stable] not-print:overflow-x-clip not-print:overflow-y-auto group-data-stream-active\/scroll-root:[overflow-anchor:none] not-print:data-expanded-composer:overflow-y-hidden! scroll-pt-(--header-height) [--sticky-padding-top:var(--header-height)] [--sticky-padding-bottom:0px] [--scroll-root-safe-area-inset-top:calc(var(--sticky-padding-top)+env(safe-area-inset-top,0px))] [--scroll-root-safe-area-inset-bottom:calc(var(--sticky-padding-bottom)+var(--screen-keyboard-height,0px)+env(safe-area-inset-bottom,0px))] [--scroll-root-safe-area-height:calc(100lvh-var(--scroll-root-safe-area-inset-top)-var(--scroll-root-safe-area-inset-bottom))] has-data-[fixed-header=less-than-md]:md:scroll-pt-0 has-data-[fixed-header=less-than-md]:md:[--sticky-padding-top:0px] has-data-[fixed-header=less-than-xl]:@w-xl\/main:scroll-pt-0 has-data-[fixed-header=less-than-xl]:@w-xl\/main:[--sticky-padding-top:0px] has-data-[fixed-header=less-than-xxl]:@w-2xl\/main:scroll-pt-0 has-data-[fixed-header=less-than-xxl]:@w-2xl\/main:[--sticky-padding-top:0px]\"\u003e\n\u003cdiv class=\"contents\"\u003e\u003cmain class=\"not-keyboard-focused:outline-none min-h-0 flex-1\" id=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"thread\" class=\"group\/thread flex flex-col min-h-full\"\u003e\n\u003cdiv role=\"presentation\" class=\"composer-parent flex flex-1 flex-col focus-visible:outline-0\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch4\u003eRick Nelson ‎– Rick Nelson At Garden Party\u003c\/h4\u003e\n\u003cp\u003eReleased in 1972, “Garden Party” marks a defining moment in Rick Nelson’s later career and remains one of his most recognisable recordings. Issued as a 7\" single, the track became a major comeback hit, reaching the Top 10 in the US and reaffirming Nelson’s place as a significant voice in early 1970s pop-rock.\u003c\/p\u003e\n\u003cp\u003eWritten in response to his experience performing at a rock and roll revival concert, the song reflects themes of artistic freedom, expectation and personal direction. Its laid-back yet pointed lyrical style, combined with a timeless melodic structure, helped secure its enduring popularity.\u003c\/p\u003e\n\u003cp\u003eThis original 7\" pressing captures a key transitional moment in Nelson’s career, bridging his 1950s rock and roll roots with a more mature, reflective songwriting approach. A standout release for collectors of vintage pop, rock and early 1970s singles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eA:\u003c\/strong\u003e Garden Party\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eB:\u003c\/strong\u003e So Long Mama\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/60XTeHM9iLQ?si=Xsrxa-ZBaM4-BOXF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MCA Records","offers":[{"title":"Default Title","offer_id":52899263381846,"sku":"ED 1026","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_9642e3fe-f19b-4f68-a94c-365019d103de.jpg?v=1774087233"},{"product_id":"jerry-lee-lewis-no-2-7-ep-1959-uk-press","title":"Jerry Lee Lewis – No. 2 7\" EP 1959 UK Press","description":"\u003cp data-start=\"105\" data-end=\"160\"\u003e\u003cstrong data-start=\"105\" data-end=\"158\"\u003eJerry Lee Lewis – No. 2 (7\" EP, 1959 UK Pressing)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"162\" data-end=\"391\"\u003eReleased as a 7\" EP in 1959, \u003cem data-start=\"191\" data-end=\"198\"\u003eNo. 2\u003c\/em\u003e captures \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJerry Lee Lewis\u003c\/span\u003e\u003c\/span\u003e at the height of his early rock ‘n’ roll fame, delivering high-energy piano-driven performances that helped define the sound of the late 1950s.\u003c\/p\u003e\n\u003cp data-start=\"393\" data-end=\"553\"\u003eThis copy is an\u003cstrong\u003e \u003c\/strong\u003eoriginal UK 7\" EP pressing, a classic piece of early rock history and a must-have for collectors of vintage vinyl and 1950s rock ‘n’ roll.\u003c\/p\u003e\n\u003cp data-start=\"555\" data-end=\"571\"\u003e\u003cstrong data-start=\"555\" data-end=\"569\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"573\" data-end=\"679\"\u003eA1 – Breathless\u003cbr data-start=\"588\" data-end=\"591\"\u003eA2 – Down the Line\u003cbr data-start=\"609\" data-end=\"612\"\u003eB1 – High School Confidential\u003cbr data-start=\"641\" data-end=\"644\"\u003eB2 – Whole Lotta Shakin’ Goin’ On\u003cstrong data-start=\"681\" data-end=\"693\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"697\" data-end=\"722\"\u003e\u003cmeta charset=\"utf-8\"\u003eAvailable now at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSounds \u0026amp; Grounds\u003c\/span\u003e\u003c\/span\u003e – your independent record shop for vinyl records, memorabilia, coffee, and music culture.\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":52927661965654,"sku":"RE-S 1186","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_47e1b6ac-d5df-422b-ba44-fdcf8debb9b4.jpg?v=1774359381"},{"product_id":"the-tony-hatch-sound-beautiful-in-the-rain-1967-uk-press","title":"The Tony Hatch Sound – Beautiful In The Rain 1967 UK Press","description":"\u003cp data-start=\"0\" data-end=\"88\"\u003e\u003cstrong data-start=\"0\" data-end=\"86\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Tony Hatch Sound\u003c\/span\u003e\u003c\/span\u003e – \u003cem data-start=\"42\" data-end=\"65\"\u003eBeautiful In The Rain\u003c\/em\u003e (1967 UK Pressing)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"90\" data-end=\"462\"\u003eReleased in 1967, \u003cem data-start=\"108\" data-end=\"131\"\u003eBeautiful In The Rain\u003c\/em\u003e showcases The Tony Hatch Sound, the acclaimed British studio ensemble led by composer and arranger Tony Hatch. Known for their sophisticated pop-jazz orchestration, this release blends lush arrangements, catchy melodies, and elegant instrumental performances, reflecting the vibrant sound of 1960s UK pop and easy listening.\u003c\/p\u003e\n\u003cp data-start=\"464\" data-end=\"652\"\u003eThis is a 1967 UK pressing, preserving the original analogue sound and artwork, making it a standout addition for collectors of vintage pop, orchestral pop, and instrumental singles.\u003c\/p\u003e\n\u003cp data-start=\"654\" data-end=\"669\"\u003e\u003cstrong data-start=\"654\" data-end=\"667\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"671\" data-end=\"683\"\u003e\u003cstrong data-start=\"671\" data-end=\"681\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"684\" data-end=\"709\"\u003e\n\u003cli data-section-id=\"i64ck3\" data-start=\"684\" data-end=\"709\"\u003eBeautiful In The Rain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"711\" data-end=\"723\"\u003e\u003cstrong data-start=\"711\" data-end=\"721\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"724\" data-end=\"775\"\u003e\n\u003cli data-section-id=\"y65r4v\" data-start=\"724\" data-end=\"775\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eWhile The City Sleeps\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"PYE Records","offers":[{"title":"Default Title","offer_id":52949840101718,"sku":"7N.17298","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_3b0497aa-db31-4c88-a827-ad2479ec406a.jpg?v=1774605197"},{"product_id":"jackie-wilson-reet-petite-1957-uk-press","title":"Jackie Wilson – Reet Petite 7\" Single 1957 UK Press","description":"\u003cp data-start=\"0\" data-end=\"78\"\u003e\u003cstrong data-start=\"0\" data-end=\"76\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJackie Wilson\u003c\/span\u003e\u003c\/span\u003e – \u003cem data-start=\"42\" data-end=\"55\"\u003eReet Petite\u003c\/em\u003e (1957 UK Pressing)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"80\" data-end=\"421\"\u003eReleased in 1957, \u003cem data-start=\"98\" data-end=\"111\"\u003eReet Petite\u003c\/em\u003e marks one of Jackie Wilson’s earliest and most iconic hits, blending rhythm \u0026amp; blues with his signature energetic vocal style. Often cited as a pioneering moment in soul and pop music, the track showcases Wilson’s dynamic range, charisma, and the infectious groove that would define his legendary career.\u003c\/p\u003e\n\u003cp data-start=\"423\" data-end=\"604\"\u003eThis is a 1957 UK pressing, preserving the original analogue sound and classic 7\" single presentation - a must-have for collectors of early rock ‘n’ roll, R\u0026amp;B, and soul music.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"621\"\u003e\u003cstrong data-start=\"606\" data-end=\"619\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"623\" data-end=\"635\"\u003e\u003cstrong data-start=\"623\" data-end=\"633\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"636\" data-end=\"651\"\u003e\n\u003cli data-section-id=\"1ikq6k7\" data-start=\"636\" data-end=\"651\"\u003eReet Petite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"653\" data-end=\"665\"\u003e\u003cstrong data-start=\"653\" data-end=\"663\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"666\" data-end=\"717\"\u003e\n\u003cli data-section-id=\"y65r4v\" data-start=\"666\" data-end=\"717\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBy The Light Of The Silvery Moon\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAvailable now at Sounds \u0026amp; Grounds - your independent record shop for vinyl records, memorabilia, coffee, and music culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coral Records","offers":[{"title":"Default Title","offer_id":52950346662230,"sku":"45-Q 72290","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_739c7dd9-3726-45d0-9847-92e01fa5d154.jpg?v=1774610290"},{"product_id":"fine-young-cannibals-funny-how-love-is-7-single-1986-uk-press","title":"Fine Young Cannibals ‎– Funny How Love Is 7\" Single 1986 UK Press","description":"\u003cp data-start=\"89\" data-end=\"162\"\u003e\u003cstrong data-start=\"89\" data-end=\"160\"\u003eFine Young Cannibals – Funny How Love Is (7\" Single, 1986 UK Press)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"164\" data-end=\"542\"\u003eReleased in 1986, \u003cem data-start=\"182\" data-end=\"201\"\u003eFunny How Love Is\u003c\/em\u003e captures \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eFine Young Cannibals\u003c\/span\u003e\u003c\/span\u003e at the height of their ’80s sound—combining sharp rhythms, soulful vocals, and infectious hooks into a compact, unforgettable single. Known for their unique blend of pop, soul, and new wave influences, the band delivers a catchy, danceable track that remains a standout in their catalog.\u003c\/p\u003e\n\u003cp data-start=\"544\" data-end=\"832\"\u003eThis is the 1986 UK 7\" pressing, complete with original artwork and vibrant analogue sound—an essential for collectors of ’80s singles and fans of iconic UK pop music. Perfect for vinyl enthusiasts looking to add a touch of Fine Young Cannibals’ signature style to their collection.\u003c\/p\u003e\n\u003cp data-start=\"834\" data-end=\"849\"\u003e\u003cstrong data-start=\"834\" data-end=\"847\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"851\" data-end=\"883\"\u003e\u003cstrong data-start=\"851\" data-end=\"861\"\u003eSide A\u003c\/strong\u003e\u003cbr data-start=\"861\" data-end=\"864\"\u003eFunny How Love Is\u003c\/p\u003e\n\u003cp data-start=\"885\" data-end=\"940\"\u003e\u003cstrong data-start=\"885\" data-end=\"895\"\u003eSide B\u003c\/strong\u003e\u003cbr data-start=\"895\" data-end=\"898\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMotherless Child\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"947\" data-end=\"1076\"\u003eAvailable now at Sounds \u0026amp; Grounds – your independent record shop for vinyl records, memorabilia, coffee, and music culture.\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":52956534145366,"sku":"LON 88","price":3.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_e8e91921-2619-4abd-a72b-b3056cf4437f.jpg?v=1774693883"},{"product_id":"the-shangri-las-i-can-never-go-home-any-more-7-single-1966-uk-press","title":"The Shangri-Las – I Can Never Go Home Any More 7\" Single 1966 UK Press","description":"\u003cp data-start=\"99\" data-end=\"174\"\u003e\u003cstrong data-start=\"99\" data-end=\"172\"\u003eThe Shangri-Las – I Can Never Go Home Any More \/ Bull Dog (7\" Single)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"176\" data-end=\"500\"\u003eReleased in the mid-1960s, this 7\" single captures \u003cstrong data-start=\"227\" data-end=\"268\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Shangri-Las\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e at the peak of their iconic teenage melodrama sound. Known for their storytelling lyrics, lush harmonies, and raw emotional delivery, The Shangri-Las crafted songs that became anthems of heartbreak, rebellion, and youthful angst.\u003c\/p\u003e\n\u003cp data-start=\"502\" data-end=\"777\"\u003eFeaturing the hauntingly dramatic \u003cem data-start=\"536\" data-end=\"568\"\u003e“I Can Never Go Home Any More”\u003c\/em\u003e backed with the punchy \u003cem data-start=\"592\" data-end=\"605\"\u003e“Bull Dog,”\u003c\/em\u003e this single showcases the group’s signature blend of vulnerability and attitude, making it a must-have for fans of ’60s girl group classics and vintage vinyl collectors.\u003c\/p\u003e\n\u003cp data-start=\"779\" data-end=\"882\"\u003eThis pressing comes with original artwork and full analogue sound - a collectible piece of pop history.\u003c\/p\u003e\n\u003cp data-start=\"884\" data-end=\"899\"\u003e\u003cstrong data-start=\"884\" data-end=\"897\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"901\" data-end=\"944\"\u003e\u003cstrong data-start=\"901\" data-end=\"911\"\u003eSide A\u003c\/strong\u003e\u003cbr data-start=\"911\" data-end=\"914\"\u003eI Can Never Go Home Any More\u003c\/p\u003e\n\u003cp data-start=\"946\" data-end=\"969\"\u003e\u003cstrong data-start=\"946\" data-end=\"956\"\u003eSide B\u003c\/strong\u003e\u003cbr data-start=\"956\" data-end=\"959\"\u003eBull Dog\u003c\/p\u003e\n\u003cp data-start=\"976\" data-end=\"1105\"\u003eAvailable now at Sounds \u0026amp; Grounds – your independent record shop for vinyl records, memorabilia, coffee, and music culture.\u003c\/p\u003e","brand":"Red Bird Records","offers":[{"title":"Default Title","offer_id":52956656959830,"sku":"RB10 043","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_8b9fda86-feba-40a8-9fd0-828f12962ecb.jpg?v=1774695281"},{"product_id":"buddy-holly-buddy-holly-1963-uk-press-7-ep","title":"Buddy Holly – Buddy Holly 1963 UK Press 7\" EP","description":"\u003cp data-start=\"124\" data-end=\"178\"\u003e\u003cstrong data-start=\"124\" data-end=\"176\"\u003eBuddy Holly – Buddy Holly (1963 UK Press, 7\" EP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"180\" data-end=\"553\"\u003eReleased in 1963, this 7\" EP captures the enduring charm and rock ’n’ roll energy of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBuddy Holly\u003c\/span\u003e\u003c\/span\u003e, one of the pioneers of modern rock music. Featuring his signature vocals, catchy melodies, and timeless guitar riffs, this record is a snapshot of Holly’s influential sound that helped shape the course of popular music in the 1950s and beyond.\u003c\/p\u003e\n\u003cp data-start=\"555\" data-end=\"776\"\u003eThis 1963 UK pressing comes with original artwork and classic analogue sound, making it an essential collectible for fans of early rock ’n’ roll and vintage vinyl enthusiasts. Perfect for both listening and display.\u003c\/p\u003e\n\u003cp data-start=\"778\" data-end=\"793\"\u003e\u003cstrong data-start=\"778\" data-end=\"791\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"795\" data-end=\"858\"\u003e\u003cstrong data-start=\"795\" data-end=\"805\"\u003eSide A\u003c\/strong\u003e\u003cbr data-start=\"805\" data-end=\"808\"\u003eA1 – It Doesn’t Matter Any More\u003cbr data-start=\"839\" data-end=\"842\"\u003eA2 – Heartbeat\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"927\"\u003e\u003cstrong data-start=\"860\" data-end=\"870\"\u003eSide B\u003c\/strong\u003e\u003cbr data-start=\"870\" data-end=\"873\"\u003eB1 – Raining in My Heart\u003cbr data-start=\"897\" data-end=\"900\"\u003eB2 – Early in the Morning\u003c\/p\u003e\n\u003cp data-start=\"934\" data-end=\"1063\"\u003eAvailable now at Sounds \u0026amp; Grounds – your independent record shop for vinyl records, memorabilia, coffee, and music culture.\u003c\/p\u003e","brand":"Coral Records","offers":[{"title":"Default Title","offer_id":52958091346262,"sku":"FEP 2032","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_b5bd07f4-d709-4969-a964-058c4747fcb4.jpg?v=1774706003"},{"product_id":"the-smiths-this-charming-man","title":"The Smiths – This Charming Man","description":"\u003cp data-start=\"67\" data-end=\"101\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"67\" data-end=\"101\"\u003eThe Smiths – This Charming Man\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"103\" data-end=\"456\"\u003e\u003cem data-start=\"103\" data-end=\"122\"\u003eThis Charming Man\u003c\/em\u003e is one of the defining singles of the 1980s and the record that helped establish\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Smiths\u003c\/span\u003e\u003c\/span\u003e as one of the most influential bands in British music history. Released in 1983, the single perfectly captures the group's unique blend of literate songwriting, jangling guitar melodies, and charismatic vocals.\u003c\/p\u003e\n\u003cp data-start=\"458\" data-end=\"856\"\u003eDriven by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJohnny Marr\u003c\/span\u003e\u003c\/span\u003e's instantly recognisable guitar work and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMorrissey\u003c\/span\u003e\u003c\/span\u003e's witty, evocative lyrics, \u003cem data-start=\"620\" data-end=\"639\"\u003eThis Charming Man\u003c\/em\u003e remains one of the band's most beloved and enduring songs. Its distinctive sound helped define the emerging indie scene of the early 1980s and continues to influence alternative and independent artists decades later.\u003c\/p\u003e\n\u003cp data-start=\"858\" data-end=\"1226\"\u003eThe B-side, \u003cem data-start=\"870\" data-end=\"877\"\u003eJeane\u003c\/em\u003e, offers a rawer glimpse into the band's early songwriting, making this release an essential addition for collectors and fans alike. 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Released in 1980, the song became the band's signature recording and is widely regarded as one of the greatest singles ever produced, influencing generations of post-punk, indie, and alternative artists.\u003c\/p\u003e\n\u003cp data-start=\"496\" data-end=\"986\"\u003eBuilt around \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePeter Hook\u003c\/span\u003e\u003c\/span\u003e's melodic bassline, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBernard Sumner\u003c\/span\u003e\u003c\/span\u003e's shimmering guitar work, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eStephen Morris\u003c\/span\u003e\u003c\/span\u003e's precise drumming, and the haunting vocals of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eIan Curtis\u003c\/span\u003e\u003c\/span\u003e, the track perfectly balances emotional vulnerability with the band's atmospheric and innovative sound. Its poignant lyrics and unforgettable melody have cemented its status as a cornerstone of British music history.\u003c\/p\u003e\n\u003cp data-start=\"988\" data-end=\"1269\"\u003eThis release also features \u003cem data-start=\"1015\" data-end=\"1027\"\u003eThese Days\u003c\/em\u003e, one of the band's finest non-album recordings, alongside an alternate version of \u003cem data-start=\"1110\" data-end=\"1135\"\u003eLove Will Tear Us Apart\u003c\/em\u003e. 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Led by the legendary \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMark E. Smith\u003c\/span\u003e\u003c\/span\u003e, The Fall forged a unique path through the British underground, becoming one of the most important and enduring bands of the post-punk era.\u003c\/p\u003e\n\u003cp data-start=\"596\" data-end=\"991\"\u003e\u003cem data-start=\"596\" data-end=\"623\"\u003eHow I Wrote 'Elastic Man'\u003c\/em\u003e stands as one of the group's most celebrated recordings, featuring Smith's sardonic lyricism, jagged guitar lines, and an infectious, off-kilter groove that perfectly exemplifies The Fall's singular sound. On the flip side, \u003cem data-start=\"848\" data-end=\"865\"\u003eCity Hobgoblins\u003c\/em\u003e delivers a driving, hypnotic performance built around repetition, rhythm, and the band's trademark sense of controlled chaos.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1290\"\u003eInfluential on countless alternative, indie, and experimental artists, The Fall's catalogue remains essential listening for fans of adventurous guitar music. 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Originally released in 1979, the single introduced many listeners to the band's hypnotic blend of driving rhythms, atmospheric guitars, and emotionally charged songwriting.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"836\"\u003ePowered by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eIan Curtis\u003c\/span\u003e\u003c\/span\u003e's commanding vocal performance and unforgettable lyrics, \u003cem data-start=\"599\" data-end=\"613\"\u003eTransmission\u003c\/em\u003e remains a cornerstone of the Joy Division catalogue. The track's pulsing bassline, urgent energy, and iconic refrain helped establish the blueprint for countless post-punk, gothic rock, and alternative bands that followed.\u003c\/p\u003e\n\u003cp data-start=\"838\" data-end=\"1221\"\u003eThe B-side, \u003cem data-start=\"850\" data-end=\"859\"\u003eNovelty\u003c\/em\u003e, showcases a more aggressive edge, highlighting the band's evolving musicianship and the chemistry between \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePeter Hook\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBernard Sumner\u003c\/span\u003e\u003c\/span\u003e, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eStephen Morris\u003c\/span\u003e\u003c\/span\u003e. Together, the two tracks represent an essential chapter in the story of one of Britain's most revered and enduring bands.\u003c\/p\u003e\n\u003cp data-start=\"1223\" data-end=\"1428\"\u003eA must-have for collectors of Factory Records releases, post-punk classics, and seminal alternative rock vinyl, \u003cem data-start=\"1335\" data-end=\"1349\"\u003eTransmission\u003c\/em\u003e remains as powerful and influential today as it was upon its original release.\u003c\/p\u003e\n\u003cp data-start=\"1430\" data-end=\"1444\"\u003e\u003cstrong data-start=\"1430\" data-end=\"1444\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1456\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1456\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1457\" data-end=\"1479\"\u003e\n\u003cli data-section-id=\"1nyapf4\" data-start=\"1457\" data-end=\"1479\"\u003eTransmission – 3:35\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1481\" data-end=\"1491\"\u003e\u003cstrong data-start=\"1481\" data-end=\"1491\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1492\" data-end=\"1509\"\u003e\n\u003cli data-section-id=\"ijspi7\" data-start=\"1492\" data-end=\"1509\"\u003eNovelty – 3:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6dBt3mJtgJc?si=4jF-siHJ9OFdX_IC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Factory Records","offers":[{"title":"Default Title","offer_id":54395538374998,"sku":"FAC 13","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_385cf03e-388c-4fc9-9e6a-bf440f727236.jpg?v=1782914980"},{"product_id":"the-jam-when-youre-young-c-w-smithers-jones","title":"The Jam – When You're Young c\/w Smithers-Jones","description":"\u003cp data-start=\"62\" data-end=\"112\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"62\" data-end=\"112\"\u003eThe Jam – When You're Young c\/w Smithers-Jones\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"114\" data-end=\"586\"\u003eReleased in 1979, \u003cem data-start=\"132\" data-end=\"151\"\u003eWhen You're Young\u003c\/em\u003e is one of the standout singles from\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Jam\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e, \u003c\/strong\u003eshowcasing the band's evolution from their punk roots into one of the most intelligent and influential groups of the late 1970s. Led by the exceptional songwriting of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePaul Weller\u003c\/span\u003e\u003c\/span\u003e, the track combines infectious melodies, driving rhythms, and thoughtful lyrics reflecting on youth, ambition, and the realities of growing older.\u003c\/p\u003e\n\u003cp data-start=\"588\" data-end=\"879\"\u003eThe single reached the UK Top 10 and remains a fan favourite, capturing The Jam at the height of their commercial and creative powers. Its energetic performance and sharp social observations helped cement the band's reputation as one of Britain's defining voices of the Mod Revival movement.\u003c\/p\u003e\n\u003cp data-start=\"881\" data-end=\"1247\"\u003eOn the B-side, \u003cem data-start=\"896\" data-end=\"912\"\u003eSmithers-Jones\u003c\/em\u003e presents one of Weller's most poignant compositions. Telling the story of a middle-aged office worker facing redundancy and uncertainty, the song demonstrates the band's gift for storytelling and social commentary. Originally released in a stripped-back form, it has since become one of the most beloved tracks in The Jam's catalogue.\u003c\/p\u003e\n\u003cp data-start=\"1249\" data-end=\"1438\"\u003eA classic British single that perfectly balances youthful energy with mature songwriting, this release is essential for collectors of Mod Revival, punk, new wave, and classic UK rock vinyl.\u003c\/p\u003e\n\u003cp data-start=\"1440\" data-end=\"1454\"\u003e\u003cstrong data-start=\"1440\" data-end=\"1454\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1466\"\u003e\u003cstrong data-start=\"1456\" data-end=\"1466\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1467\" data-end=\"1494\"\u003e\n\u003cli data-section-id=\"1849yen\" data-start=\"1467\" data-end=\"1494\"\u003eWhen You're Young – 3:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1496\" data-end=\"1506\"\u003e\u003cstrong data-start=\"1496\" data-end=\"1506\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1507\" data-end=\"1531\"\u003e\n\u003cli data-section-id=\"1u5u40v\" data-start=\"1507\" data-end=\"1531\"\u003eSmithers-Jones – 3:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GO-3oXkZwPg?si=vjpBdHBPY8BymUK-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sounds + Grounds","offers":[{"title":"Default Title","offer_id":54395594637654,"sku":"POSP 69","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_91e1dbcd-6fb7-4f3c-9f38-096dacb5b0ad.jpg?v=1782916162"},{"product_id":"the-slits-typical-girls","title":"The Slits – Typical Girls","description":"\u003cp data-start=\"51\" data-end=\"80\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"51\" data-end=\"80\"\u003eThe Slits – Typical Girls\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"82\" data-end=\"406\"\u003e\u003cem data-start=\"82\" data-end=\"97\"\u003eTypical Girls\u003c\/em\u003e is one of the defining singles of the post-punk era and a landmark release from pioneering British band \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Slits\u003c\/span\u003e\u003c\/span\u003e. Released in 1979, the track brilliantly showcases the group's unique fusion of punk energy, dub rhythms, experimental production, and fearless social commentary.\u003c\/p\u003e\n\u003cp data-start=\"408\" data-end=\"815\"\u003eLed by the charismatic \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAri Up\u003c\/span\u003e\u003c\/span\u003e, The Slits challenged conventions both musically and culturally, helping to reshape the possibilities of punk and alternative music. \u003cem data-start=\"606\" data-end=\"621\"\u003eTypical Girls\u003c\/em\u003e remains their signature song, offering a witty and subversive critique of gender stereotypes while delivering an infectious groove that feels as fresh and relevant today as it did upon release.\u003c\/p\u003e\n\u003cp data-start=\"817\" data-end=\"1147\"\u003eThe B-side features a remarkable reinterpretation of \u003cem data-start=\"870\" data-end=\"904\"\u003eI Heard It Through The Grapevine\u003c\/em\u003e, transforming the classic soul hit into a hypnotic, dub-infused post-punk workout. The band's adventurous approach to arrangement and rhythm helped establish them as one of the most innovative acts to emerge from the late 1970s UK punk scene.\u003c\/p\u003e\n\u003cp data-start=\"1149\" data-end=\"1379\"\u003eEssential listening for fans of post-punk, punk, reggae-influenced alternative music, and feminist rock history, \u003cem data-start=\"1262\" data-end=\"1277\"\u003eTypical Girls\u003c\/em\u003e remains a cornerstone release that continues to inspire generations of musicians and listeners alike.\u003c\/p\u003e\n\u003cp data-start=\"1381\" data-end=\"1395\"\u003e\u003cstrong data-start=\"1381\" data-end=\"1395\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1397\" data-end=\"1407\"\u003e\u003cstrong data-start=\"1397\" data-end=\"1407\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1408\" data-end=\"1431\"\u003e\n\u003cli data-section-id=\"z8k2rg\" data-start=\"1408\" data-end=\"1431\"\u003eTypical Girls – 3:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1433\" data-end=\"1443\"\u003e\u003cstrong data-start=\"1433\" data-end=\"1443\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1444\" data-end=\"1486\"\u003e\n\u003cli data-section-id=\"q6ycs9\" data-start=\"1444\" data-end=\"1486\"\u003eI Heard It Through The Grapevine – 3:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dmtgMOLPwTk?si=ZPS0nDMbtv169xw_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Island Records","offers":[{"title":"Default Title","offer_id":54395669578070,"sku":"WIP 6505","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_a730534f-9362-4132-80d9-43c0a92629b4.jpg?v=1782916786"},{"product_id":"dead-kennedys-california-uber-alles","title":"Dead Kennedys – California Über Alles","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eDead Kennedys – California Über Alles\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCalifornia Über Alles\u003c\/em\u003e is the incendiary debut single from legendary San Francisco punk outfit \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDead Kennedys\u003c\/span\u003e\u003c\/span\u003e, a record that announced the arrival of one of the most provocative and influential bands in punk history. Released in 1979, the single combines razor-sharp satire, blistering musicianship, and biting political commentary, setting the template for the band's fearless approach to songwriting.\u003c\/p\u003e\n\u003cp\u003eFronted by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJello Biafra\u003c\/span\u003e\u003c\/span\u003e, \u003cem\u003eCalifornia Über Alles\u003c\/em\u003e delivers a darkly humorous critique of authoritarianism and political power, wrapped in a fast-paced, surf-inflected punk assault. The track quickly became an underground anthem and remains one of the most recognisable songs of the American hardcore punk movement.\u003c\/p\u003e\n\u003cp\u003eThe B-side, \u003cem\u003eMan With The Dogs\u003c\/em\u003e, showcases the band's raw early sound, pairing frantic energy with the irreverent attitude that would become a hallmark of their recordings. Together, these tracks capture Dead Kennedys at the beginning of a career that would leave a lasting impact on punk, alternative rock, and political music worldwide.\u003c\/p\u003e\n\u003cp\u003eA cornerstone of late-1970s punk, this essential single belongs in every serious punk vinyl collection and remains a vital document of the era's DIY underground scene.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCalifornia Über Alles – 3:26\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMan With The Dogs – 3:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R-rDQs5NOP4?si=7tf3tiLZ6m3fbw6D\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fast Product Records","offers":[{"title":"Default Title","offer_id":54395722760534,"sku":"F 12","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_f9896e12-ec5d-4e87-a345-4a92a680f8de.jpg?v=1782917567"},{"product_id":"the-mekons-where-were-you-ill-have-to-dance-then-on-my-own","title":"The Mekons – Where Were You \/ I'll Have To Dance Then (On My Own)","description":"\u003cp data-start=\"61\" data-end=\"130\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"61\" data-end=\"130\"\u003eThe Mekons – Where Were You \/ I'll Have To Dance Then (On My Own)\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"132\" data-end=\"626\"\u003e\u003cem data-start=\"132\" data-end=\"187\"\u003eWhere Were You? \/ I'll Have To Dance Then (On My Own)\u003c\/em\u003e is a classic double A-side release from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Mekons\u003c\/span\u003e\u003c\/span\u003e, one of the most adventurous and influential groups to emerge from the original British punk movement. 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Originally released in 1980, the single captures the band at their most raw, atmospheric, and uncompromising.\u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"869\"\u003eDriven by the commanding vocals of \u003cstrong data-start=\"522\" data-end=\"563\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJaz Coleman\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e, \u003cem data-start=\"565\" data-end=\"574\"\u003eRequiem\u003c\/em\u003e combines haunting melodies, pounding bass, hypnotic drums, and jagged guitars to create a dark and immersive sound that became a blueprint for much of the gothic and industrial rock that followed. Its brooding atmosphere and relentless energy remain as powerful today as they were upon release.\u003c\/p\u003e\n\u003cp data-start=\"871\" data-end=\"1142\"\u003eThe B-side, \u003cem data-start=\"883\" data-end=\"891\"\u003eChange\u003c\/em\u003e, is equally revered among fans, showcasing the band's ability to balance aggression with melody while expanding their distinctive sonic palette. Together, the two tracks represent a crucial chapter in the evolution of post-punk and alternative music.\u003c\/p\u003e\n\u003cp data-start=\"1144\" data-end=\"1341\"\u003eA must-have for collectors of early post-punk, gothic rock, industrial music, and influential independent releases, \u003cem data-start=\"1260\" data-end=\"1269\"\u003eRequiem\u003c\/em\u003e stands as one of Killing Joke's most important and enduring recordings.\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1357\"\u003e\u003cstrong data-start=\"1343\" data-end=\"1357\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1359\" data-end=\"1369\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1369\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1370\" data-end=\"1380\"\u003e\n\u003cli data-section-id=\"jzeyug\" data-start=\"1370\" data-end=\"1380\"\u003eRequiem\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1382\" data-end=\"1392\"\u003e\u003cstrong data-start=\"1382\" data-end=\"1392\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1393\" data-end=\"1402\"\u003e\n\u003cli data-section-id=\"efiq8s\" data-start=\"1393\" data-end=\"1402\"\u003eChange\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FMdQDMIxThk?si=f6MHW5RK34EquZd5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Malicious Damage Records","offers":[{"title":"Default Title","offer_id":54395838824790,"sku":"EGMD 1.00","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_a627a9b3-ec92-43b2-9a69-44e446444100.jpg?v=1782918585"},{"product_id":"killing-joke-follow-the-leaders","title":"Killing Joke – Follow The Leaders","description":"\u003cp data-start=\"73\" data-end=\"110\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"73\" data-end=\"110\"\u003eKilling Joke – Follow The Leaders\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"112\" data-end=\"513\"\u003e\u003cem data-start=\"112\" data-end=\"132\"\u003eFollow The Leaders\u003c\/em\u003e is a powerful early single from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKilling Joke\u003c\/span\u003e\u003c\/span\u003e, showcasing the band's pioneering blend of post-punk aggression, tribal rhythms, and industrial experimentation. Released during the group's formative years, the record captures the raw energy and apocalyptic atmosphere that would make Killing Joke one of the most influential bands of the alternative era.\u003c\/p\u003e\n\u003cp data-start=\"515\" data-end=\"903\"\u003eBuilt around relentless basslines, driving percussion, and the commanding presence of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJaz Coleman\u003c\/span\u003e\u003c\/span\u003e, \u003cem data-start=\"644\" data-end=\"664\"\u003eFollow The Leaders\u003c\/em\u003e delivers a fierce critique of conformity and authority. Its hypnotic groove and intense sonic landscape helped establish the band's unique identity, influencing artists across post-punk, industrial rock, gothic rock, and even heavy metal.\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"1272\"\u003eThe B-side, \u003cem data-start=\"917\" data-end=\"926\"\u003eTension\u003c\/em\u003e, is another classic early Killing Joke recording, pairing taut rhythms with an ominous atmosphere and demonstrating the band's ability to create music that is both confrontational and deeply immersive. Together, these tracks highlight why Killing Joke remain one of the most respected and innovative groups to emerge from the post-punk movement.\u003c\/p\u003e\n\u003cp data-start=\"1274\" data-end=\"1478\"\u003eEssential for collectors of post-punk vinyl, industrial music, and alternative rock history, \u003cem data-start=\"1367\" data-end=\"1387\"\u003eFollow The Leaders\u003c\/em\u003e is a key release from a band whose influence continues to resonate across multiple genres.\u003c\/p\u003e\n\u003cp data-start=\"1480\" data-end=\"1494\"\u003e\u003cstrong data-start=\"1480\" data-end=\"1494\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1496\" data-end=\"1506\"\u003e\u003cstrong data-start=\"1496\" data-end=\"1506\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1507\" data-end=\"1535\"\u003e\n\u003cli data-section-id=\"1bxuepu\" data-start=\"1507\" data-end=\"1535\"\u003eFollow The Leaders – 4:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1537\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1537\" data-end=\"1547\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1548\" data-end=\"1565\"\u003e\n\u003cli data-section-id=\"sdyy6e\" data-start=\"1548\" data-end=\"1565\"\u003eTension – 4:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uPWQfAv_qBQ?si=HUtuxjtExrWNnxIm\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Malicious Damage Records","offers":[{"title":"Default Title","offer_id":54395854520662,"sku":"EGMDS 1.01","price":3.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_3e67278e-f772-4000-a2b7-29f6d5acdb54.jpg?v=1782919170"},{"product_id":"the-cure-charlotte-sometimes","title":"The Cure – Charlotte Sometimes","description":"\u003cp data-start=\"66\" data-end=\"100\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"66\" data-end=\"100\"\u003eThe Cure – Charlotte Sometimes\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"463\"\u003e\u003cem data-start=\"102\" data-end=\"123\"\u003eCharlotte Sometimes\u003c\/em\u003e is one of the most beloved standalone singles from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Cure\u003c\/span\u003e\u003c\/span\u003e, bridging the atmospheric post-punk of their early years with the darker, more gothic sound that would define much of their 1980s output. Released in 1981, the single remains a fan favourite and a key recording in the band's celebrated catalogue.\u003c\/p\u003e\n\u003cp data-start=\"465\" data-end=\"889\"\u003eInspired by the children's novel \u003cem data-start=\"498\" data-end=\"537\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCharlotte Sometimes\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePenelope Farmer\u003c\/span\u003e\u003c\/span\u003e, the song combines haunting melodies, shimmering guitars, and evocative lyrics to create a dreamlike and melancholic atmosphere. Frontman \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRobert Smith\u003c\/span\u003e\u003c\/span\u003e delivers one of his most memorable vocal performances, perfectly complementing the track's mysterious and emotional character.\u003c\/p\u003e\n\u003cp data-start=\"891\" data-end=\"1261\"\u003eThe B-side, \u003cem data-start=\"903\" data-end=\"927\"\u003eSplintered In Her Head\u003c\/em\u003e, explores a darker and more experimental direction, featuring dense textures and unsettling moods that showcase the band's willingness to push beyond conventional pop structures. Together, the two tracks capture The Cure during a pivotal creative period as they evolved into one of the most influential alternative bands of all time.\u003c\/p\u003e\n\u003cp data-start=\"1263\" data-end=\"1464\"\u003eA must-have for collectors of post-punk, gothic rock, and classic 1980s alternative vinyl, \u003cem data-start=\"1354\" data-end=\"1375\"\u003eCharlotte Sometimes\u003c\/em\u003e remains an essential release from one of Britain's most enduring and influential groups.\u003c\/p\u003e\n\u003cp data-start=\"1466\" data-end=\"1480\"\u003e\u003cstrong data-start=\"1466\" data-end=\"1480\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1482\" data-end=\"1492\"\u003e\u003cstrong data-start=\"1482\" data-end=\"1492\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1493\" data-end=\"1515\"\u003e\n\u003cli data-section-id=\"1d8tk7q\" data-start=\"1493\" data-end=\"1515\"\u003eCharlotte Sometimes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1517\" data-end=\"1527\"\u003e\u003cstrong data-start=\"1517\" data-end=\"1527\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1528\" data-end=\"1553\"\u003e\n\u003cli data-section-id=\"1g1x534\" data-start=\"1528\" data-end=\"1553\"\u003eSplintered In Her Head\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4KeII31qyck?si=0ymZIe5hMARYuhzy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fiction Records","offers":[{"title":"Default Title","offer_id":54395897348438,"sku":"FICS 14","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_5bd211b9-03c3-4a3b-a9fb-2152b1f93d5a.jpg?v=1782920546"},{"product_id":"the-cure-lets-go-to-bed","title":"The Cure – Let's Go To Bed","description":"\u003cp data-start=\"64\" data-end=\"94\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"64\" data-end=\"94\"\u003eThe Cure – Let's Go To Bed\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"96\" data-end=\"495\"\u003e\u003cem data-start=\"96\" data-end=\"113\"\u003eLet's Go To Bed\u003c\/em\u003e marked a bold new chapter for \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Cure\u003c\/span\u003e\u003c\/span\u003e, signalling a shift away from the band's darker post-punk sound towards a more playful, electronic, and pop-oriented direction. Released in 1982, the single surprised fans and critics alike, but would ultimately become a pivotal release in the evolution of one of Britain's most innovative and enduring bands.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"911\"\u003eBuilt around infectious synthesizers, drum machine rhythms, and the unmistakable vocals of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRobert Smith\u003c\/span\u003e\u003c\/span\u003e, \u003cem data-start=\"631\" data-end=\"648\"\u003eLet's Go To Bed\u003c\/em\u003e showcased The Cure's willingness to reinvent themselves and experiment with new sounds. Its quirky charm, catchy hooks, and distinctive production laid the groundwork for the band's later success in the worlds of alternative pop, new wave, and synth-driven rock.\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1214\"\u003eThe B-side, \u003cem data-start=\"925\" data-end=\"940\"\u003eJust One Kiss\u003c\/em\u003e, offers a fascinating contrast, delivering a darker and more atmospheric performance that retains elements of the band's gothic and post-punk roots. Together, the two tracks perfectly illustrate the creative crossroads at which The Cure found themselves in the early 1980s.\u003c\/p\u003e\n\u003cp data-start=\"1216\" data-end=\"1376\"\u003eA key release in the band's extensive catalogue, \u003cem data-start=\"1265\" data-end=\"1282\"\u003eLet's Go To Bed\u003c\/em\u003e is essential for collectors of classic 1980s new wave, synth-pop, and alternative rock vinyl.\u003c\/p\u003e\n\u003cp data-start=\"1378\" data-end=\"1392\"\u003e\u003cstrong data-start=\"1378\" data-end=\"1392\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1394\" data-end=\"1404\"\u003e\u003cstrong data-start=\"1394\" data-end=\"1404\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1405\" data-end=\"1430\"\u003e\n\u003cli data-section-id=\"4rwxa0\" data-start=\"1405\" data-end=\"1430\"\u003eLet's Go To Bed – 3:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1432\" data-end=\"1442\"\u003e\u003cstrong data-start=\"1432\" data-end=\"1442\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1443\" data-end=\"1466\"\u003e\n\u003cli data-section-id=\"15nkuu5\" data-start=\"1443\" data-end=\"1466\"\u003eJust One Kiss – 4:26\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j6vVP91C3Iw?si=FLes7UGJ96LycMbS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fiction Records","offers":[{"title":"Default Title","offer_id":54399556157782,"sku":"FICS 17","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_49918f92-f2f3-4622-a5cd-6140c198962a.jpg?v=1782981562"},{"product_id":"bauhaus-dark-entries","title":"Båuhåus – Dark Entries","description":"\u003cp data-start=\"66\" data-end=\"92\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"66\" data-end=\"92\"\u003eBauhaus – Dark Entries\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"94\" data-end=\"508\"\u003e\u003cem data-start=\"94\" data-end=\"108\"\u003eDark Entries\u003c\/em\u003e is the electrifying debut single from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBauhaus\u003c\/span\u003e\u003c\/span\u003e, a landmark release that helped lay the foundations for gothic rock and established the band as one of the most innovative acts to emerge from the post-punk movement. Originally released in 1980, the single remains a cornerstone of alternative music history and a must-have for collectors of early independent releases.\u003c\/p\u003e\n\u003cp data-start=\"510\" data-end=\"903\"\u003eDriven by jagged guitar riffs, urgent rhythms, and the theatrical vocal delivery of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePeter Murphy\u003c\/span\u003e\u003c\/span\u003e, \u003cem data-start=\"637\" data-end=\"651\"\u003eDark Entries\u003c\/em\u003e combines punk energy with a darker, more atmospheric edge. The song's intensity, distinctive sound, and striking lyrical imagery would become hallmarks of Bauhaus's influential style, helping to shape the emerging gothic rock scene of the early 1980s.\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"1213\"\u003eThe B-side features the brief instrumental \u003cem data-start=\"948\" data-end=\"958\"\u003eUntitled\u003c\/em\u003e, an experimental piece that further highlights the band's willingness to push beyond traditional rock conventions. Together, these recordings capture the raw creativity and artistic ambition that made Bauhaus one of the most important bands of their era.\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1402\"\u003eEssential for fans of post-punk, gothic rock, darkwave, and alternative music, \u003cem data-start=\"1294\" data-end=\"1308\"\u003eDark Entries\u003c\/em\u003e remains a pivotal release whose influence can still be heard across countless modern artists.\u003c\/p\u003e\n\u003cp data-start=\"1404\" data-end=\"1418\"\u003e\u003cstrong data-start=\"1404\" data-end=\"1418\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1420\" data-end=\"1430\"\u003e\u003cstrong data-start=\"1420\" data-end=\"1430\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1431\" data-end=\"1453\"\u003e\n\u003cli data-section-id=\"kla362\" data-start=\"1431\" data-end=\"1453\"\u003eDark Entries – 3:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1455\" data-end=\"1465\"\u003e\u003cstrong data-start=\"1455\" data-end=\"1465\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1466\" data-end=\"1484\"\u003e\n\u003cli data-section-id=\"u0iuxn\" data-start=\"1466\" data-end=\"1484\"\u003eUntitled – 1:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o0OnHpuuMMo?si=JNYbvJrAUrwvQSce\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Axis Records","offers":[{"title":"Default Title","offer_id":54399576244566,"sku":"AXIS 3","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_a32237a1-cf66-4a40-a4f1-117886c02f9f.jpg?v=1782982213"},{"product_id":"the-clash-white-riot","title":"The Clash ‎– White Riot","description":"\u003cp data-start=\"48\" data-end=\"74\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"48\" data-end=\"74\"\u003eThe Clash – White Riot\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"76\" data-end=\"486\"\u003e\u003cem data-start=\"76\" data-end=\"88\"\u003eWhite Riot\u003c\/em\u003e is the explosive debut single from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Clash\u003c\/span\u003e\u003c\/span\u003e, one of the most important and influential bands to emerge from the original UK punk movement. Released in 1977, the single announced The Clash as a powerful new voice in British music, combining the raw energy of punk rock with a socially aware perspective that would distinguish them from many of their contemporaries.\u003c\/p\u003e\n\u003cp data-start=\"488\" data-end=\"820\"\u003eDriven by urgent guitars, pounding rhythms, and the unmistakable vocals of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJoe Strummer\u003c\/span\u003e\u003c\/span\u003e, \u003cem data-start=\"606\" data-end=\"618\"\u003eWhite Riot\u003c\/em\u003e became an anthem of the early punk era. Fast, aggressive, and uncompromising, the track captures the frustration and rebellious spirit that fuelled the UK's burgeoning punk scene during the late 1970s.\u003c\/p\u003e\n\u003cp data-start=\"822\" data-end=\"1114\"\u003eThe B-side, \u003cem data-start=\"834\" data-end=\"840\"\u003e1977\u003c\/em\u003e, is equally significant, serving as a statement of intent from a band determined to challenge the established music industry and redefine what rock music could be. Together, these two recordings offer a fascinating snapshot of punk rock at its most vital and revolutionary.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1319\"\u003eToday, \u003cem data-start=\"1123\" data-end=\"1135\"\u003eWhite Riot\u003c\/em\u003e remains one of the defining singles of the punk era and an essential piece of British music history. A must-have for collectors of punk, new wave, and classic 1970s alternative music.\u003c\/p\u003e\n\u003cp data-start=\"1321\" data-end=\"1335\"\u003e\u003cstrong data-start=\"1321\" data-end=\"1335\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1337\" data-end=\"1347\"\u003e\u003cstrong data-start=\"1337\" data-end=\"1347\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1348\" data-end=\"1368\"\u003e\n\u003cli data-section-id=\"1qilf0o\" data-start=\"1348\" data-end=\"1368\"\u003eWhite Riot – 1:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1370\" data-end=\"1380\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1380\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1381\" data-end=\"1395\"\u003e\n\u003cli data-section-id=\"4x4afi\" data-start=\"1381\" data-end=\"1395\"\u003e1977 – 1:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IvG3is7Bm1w?si=eoUgiUdPWN1nw_ji\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CBS Records","offers":[{"title":"Default Title","offer_id":54429825565014,"sku":"CBS 5058","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_2ad41426-c30b-4445-91c4-7042a61409cd.jpg?v=1783157686"},{"product_id":"al-foster-band-the-night-of-the-wolf","title":"Al Foster Band – The Night Of The Wolf","description":"\u003cp data-start=\"52\" data-end=\"106\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"52\" data-end=\"106\"\u003eAl Foster Band – The Night Of The Wolf (7\" Single)\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"108\" data-end=\"488\"\u003eReleased at the height of the novelty record boom of the late 1970s and early 1980s, \u003cem data-start=\"193\" data-end=\"216\"\u003eThe Night Of The Wolf\u003c\/em\u003e is a fun, atmospheric single from the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAl Foster Band\u003c\/span\u003e\u003c\/span\u003e. Blending dramatic narration, eerie sound effects, and catchy pop production, the record delivers a spooky tale that's perfect for Halloween playlists and collectors of cult novelty releases.\u003c\/p\u003e\n\u003cp data-start=\"490\" data-end=\"843\"\u003eBuilt around a memorable werewolf-themed storyline, \u003cem data-start=\"542\" data-end=\"565\"\u003eThe Night Of The Wolf\u003c\/em\u003e combines theatrical storytelling with infectious hooks and cinematic atmosphere. Its playful horror aesthetic reflects the popularity of novelty records inspired by monsters, ghost stories, and fantasy, making it an entertaining period piece that still has charm decades later.\u003c\/p\u003e\n\u003cp data-start=\"845\" data-end=\"1212\"\u003eThis 7-inch single features both the Long Version and a concise Short Version, allowing listeners to enjoy either the full dramatic performance or the radio-friendly edit. Whether you're a fan of quirky novelty records, seasonal Halloween music, or obscure British pop curiosities, \u003cem data-start=\"1135\" data-end=\"1158\"\u003eThe Night Of The Wolf\u003c\/em\u003e offers a nostalgic slice of early '80s entertainment.\u003c\/p\u003e\n\u003cp data-start=\"1214\" data-end=\"1417\"\u003eA sought-after addition for collectors of novelty vinyl, Halloween-themed music, and unusual 7-inch singles, this release captures the fun, theatrical side of pop music with plenty of supernatural flair.\u003c\/p\u003e\n\u003cp data-start=\"1419\" data-end=\"1433\"\u003e\u003cstrong data-start=\"1419\" data-end=\"1433\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1435\" data-end=\"1445\"\u003e\u003cstrong data-start=\"1435\" data-end=\"1445\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1446\" data-end=\"1492\"\u003e\n\u003cli data-section-id=\"vqj8om\" data-start=\"1446\" data-end=\"1492\"\u003eThe Night Of The Wolf (Long Version) – 3:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1494\" data-end=\"1504\"\u003e\u003cstrong data-start=\"1494\" data-end=\"1504\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1505\" data-end=\"1552\"\u003e\n\u003cli data-section-id=\"19r0c26\" data-start=\"1505\" data-end=\"1552\"\u003eThe Night Of The Wolf (Short Version) – 3:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C3fiGJGqueg?si=j1kY3NOPJMM6YmMR\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Roulette Records","offers":[{"title":"Default Title","offer_id":54488280039766,"sku":"R-7162","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_565269cd-7170-4d51-83e5-2f1c27fd14e8.jpg?v=1783609477"},{"product_id":"the-del-larks-featuring-tyrone-ashley-job-opening","title":"The Del-Larks Featuring Tyrone Ashley – Job Opening","description":"\u003cp data-start=\"50\" data-end=\"117\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"50\" data-end=\"117\"\u003eThe Del-Larks Featuring Tyrone Ashley – Job Opening (7\" Single)\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"119\" data-end=\"474\"\u003e\u003cem data-start=\"119\" data-end=\"132\"\u003eJob Opening\u003c\/em\u003e is a sought-after soul and funk 7-inch from \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Del-Larks\u003c\/span\u003e\u003c\/span\u003e, featuring drummer, vocalist, and songwriter \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTyrone Ashley\u003c\/span\u003e\u003c\/span\u003e. Combining gritty rhythms, passionate vocals, and irresistible grooves, this rare single has become a favourite among soul collectors, DJs, and rare groove enthusiasts.\u003c\/p\u003e\n\u003cp data-start=\"476\" data-end=\"909\"\u003eDriven by a tight rhythm section and powerful vocal performance, \u003cem data-start=\"541\" data-end=\"554\"\u003eJob Opening\u003c\/em\u003e blends late-1960s soul with the emerging funk sound of the early 1970s. Tyrone Ashley's influence is evident throughout, with infectious percussion and a driving backbeat supporting a socially aware lyric and memorable hook. The raw production and authentic feel have helped the record earn a lasting reputation on the Northern Soul and deep funk scenes.\u003c\/p\u003e\n\u003cp data-start=\"911\" data-end=\"1125\"\u003eThis release features the track split across Part 1 and Part 2, a format common to extended soul and funk singles of the era, allowing the groove to continue beyond the limitations of a standard radio edit.\u003c\/p\u003e\n\u003cp data-start=\"1127\" data-end=\"1339\"\u003eA desirable addition for collectors of vintage soul, funk, rare groove, and Northern Soul vinyl, \u003cem data-start=\"1224\" data-end=\"1237\"\u003eJob Opening\u003c\/em\u003e remains a hidden gem that showcases the energy and creativity of classic independent soul recordings.\u003c\/p\u003e\n\u003cp data-start=\"1341\" data-end=\"1355\"\u003e\u003cstrong data-start=\"1341\" data-end=\"1355\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1357\" data-end=\"1367\"\u003e\u003cstrong data-start=\"1357\" data-end=\"1367\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1368\" data-end=\"1388\"\u003e\n\u003cli data-section-id=\"2grle\" data-start=\"1368\" data-end=\"1388\"\u003eJob Opening Pt. 1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1390\" data-end=\"1400\"\u003e\u003cstrong data-start=\"1390\" data-end=\"1400\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1401\" data-end=\"1421\"\u003e\n\u003cli data-section-id=\"2grld\" data-start=\"1401\" data-end=\"1421\"\u003eJob Opening Pt. 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1423\" data-end=\"1521\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OuqezagYuOs?si=eTz2SnVlNezHVepC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Queen City Records","offers":[{"title":"Default Title","offer_id":54488666407254,"sku":"100","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_a0572253-723c-48d5-90eb-b9a6ebbd1a35.jpg?v=1783614071"},{"product_id":"the-crack-all-or-nothing","title":"The Crack – All Or Nothing","description":"\u003cp data-start=\"45\" data-end=\"87\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"45\" data-end=\"87\"\u003eThe Crack – All Or Nothing (7\" Single)\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"89\" data-end=\"437\"\u003e\u003cem data-start=\"89\" data-end=\"105\"\u003eAll Or Nothing\u003c\/em\u003e is an energetic 7-inch single from British punk outfit \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Crack\u003c\/span\u003e\u003c\/span\u003e, a band that emerged during the late 1970s UK punk explosion. Combining the raw intensity of first-wave punk with sharp melodies and an anthemic edge, the single showcases the group's knack for punchy songwriting and infectious hooks.\u003c\/p\u003e\n\u003cp data-start=\"439\" data-end=\"819\"\u003eThe title track, \u003cem data-start=\"456\" data-end=\"472\"\u003eAll Or Nothing\u003c\/em\u003e, delivers driving guitars, urgent vocals, and the high-energy attitude that defined the era, while retaining a melodic sensibility that appealed to both punk and new wave audiences. On the B-side, \u003cem data-start=\"670\" data-end=\"688\"\u003eI Caught You Out\u003c\/em\u003e continues the momentum with fast-paced rhythms, memorable riffs, and the band's trademark blend of aggression and catchy choruses.\u003c\/p\u003e\n\u003cp data-start=\"821\" data-end=\"1172\"\u003eAlthough never achieving the commercial success of some of their contemporaries, The Crack earned a loyal following and remain well regarded among collectors of classic UK punk and power pop. Their recordings capture the spirit of Britain's independent music scene at the turn of the decade and continue to be sought after by enthusiasts of the genre.\u003c\/p\u003e\n\u003cp data-start=\"1174\" data-end=\"1341\"\u003eA great addition for fans of vintage punk, new wave, and collectible 7-inch singles, \u003cem data-start=\"1259\" data-end=\"1275\"\u003eAll Or Nothing\u003c\/em\u003e is a fine example of late-1970s British punk at its melodic best.\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1357\"\u003e\u003cstrong data-start=\"1343\" data-end=\"1357\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1359\" data-end=\"1369\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1369\"\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1370\" data-end=\"1387\"\u003e\n\u003cli data-section-id=\"lx8ujf\" data-start=\"1370\" data-end=\"1387\"\u003eAll Or Nothing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1389\" data-end=\"1399\"\u003e\u003cstrong data-start=\"1389\" data-end=\"1399\"\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1400\" data-end=\"1419\"\u003e\n\u003cli data-section-id=\"20dgqa\" data-start=\"1400\" data-end=\"1419\"\u003eI Caught You Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"1421\" data-end=\"1505\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pG0ZVLmRKrU?si=o7EOH9N4bsPpi220\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"RCA Records","offers":[{"title":"Default Title","offer_id":54497700872534,"sku":"CRACK1","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_961ff1e8-8611-4cd2-93a8-326ea6019194.jpg?v=1783673588"},{"product_id":"a-factory-sample","title":"A Factory Sample","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003eA Factory Sample\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eA Factory Sample is a landmark document from the earliest days of Factory Records, the Manchester independent label that would become one of the most influential forces in British post-punk. Originally released in 1978 as a limited promotional double 7\" set, the record introduced four artists who would become closely associated with Factory's distinctive experimental approach to music.\u003c\/p\u003e\n\u003cp\u003eThe release opens with Joy Division, featuring \"Digital\" and \"Glass\". These early recordings capture the band before the release of their debut album, with Bernard Sumner and Peter Hook's angular guitars and bass combining with Stephen Morris' precise drumming and Ian Curtis' unmistakable vocals. Both tracks became important parts of Joy Division's early repertoire.\u003c\/p\u003e\n\u003cp\u003eThe second disc moves into the more atmospheric and experimental territory of The Durutti Column, represented by \"No Communication\" and \"Thin Ice (Detail).\" Vini Reilly's distinctive guitar style would later become one of the defining sounds of Factory Records, combining minimalist playing with elements of post-punk, jazz and ambient music.\u003c\/p\u003e\n\u003cp\u003eSide C features the confrontational humour of John Dowie, whose three brief tracks – \"Acne,\" \"Idiot\" and \"Hitler's Liver\" – demonstrate the irreverent and deliberately provocative character of Manchester's emerging independent scene.\u003c\/p\u003e\n\u003cp\u003eThe final side belongs to Cabaret Voltaire, with \"Baader-Meinhof\" and \"Sex In Secret.\" Their experimental use of electronics, tape manipulation and industrial textures provides a striking conclusion and hints at the increasingly adventurous direction Factory Records would take.\u003c\/p\u003e\n\u003cp\u003eMore than simply a sampler, \u003cem\u003eA Factory Sample\u003c\/em\u003e established the eclectic identity of the label. Its combination of post-punk, experimental rock, electronic music, industrial sounds and performance art reflected the creative atmosphere surrounding Factory and Manchester's burgeoning underground scene.\u003c\/p\u003e\n\u003cp\u003eThe release is particularly significant because it brought together Joy Division, The Durutti Column, John Dowie and Cabaret Voltaire at the beginning of their respective careers. Factory Records would go on to release some of the most influential British alternative music of the era, making this early sampler a fascinating piece of independent music history.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Factory Records, Joy Division, post-punk, Manchester music, Cabaret Voltaire, The Durutti Column and British alternative music, \u003cem\u003eA Factory Sample\u003c\/em\u003e is an essential and highly collectible release.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eAside \"Tears In Their Eyes\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJoy Division – Digital – 2:50\u003c\/li\u003e\n\u003cli\u003eJoy Division – Glass – 4:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eBeside \"Occasional Labour In Culture\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Durutti Column – No Communication – 5:00\u003c\/li\u003e\n\u003cli\u003eThe Durutti Column – Thin Ice (Detail) – 3:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSeaside \"A Piece Of The Cake, 3 Songs That Spell FAG\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohn Dowie – Acne – 1:36\u003c\/li\u003e\n\u003cli\u003eJohn Dowie – Idiot – 1:55\u003c\/li\u003e\n\u003cli\u003eJohn Dowie – Hitler's Liver – 2:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDecide \"Lips Of Sulphur\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCabaret Voltaire – Baader-Meinhof – 3:15\u003c\/li\u003e\n\u003cli\u003eCabaret Voltaire – Sex In Secret – 3:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0V4IM1uD7pc?si=HLK6NdG4StDrjWsi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Factory Records","offers":[{"title":"Default Title","offer_id":54994342740310,"sku":"FAC-2","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_685defa5-0a4d-4b2d-83db-517855496d80.jpg?v=1786813024"},{"product_id":"the-cure-just-like-heaven","title":"The Cure – Just Like Heaven","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Cure – Just Like Heaven\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe Cure – Just Like Heaven is the highly collectible 1987 UK limited-edition 7\" picture disc, featuring one of the band's most beloved songs backed with the previously unavailable \"Snow In Summer.\" Released through Fiction Records on 5 October 1987, the single was taken from \u003cem\u003eKiss Me, Kiss Me, Kiss Me\u003c\/em\u003e and became one of The Cure's defining alternative rock classics. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe A-side features \"Just Like Heaven\", a shimmering, melodic highlight from The Cure's breakthrough late-1980s period. Combining Robert Smith's distinctive vocals with bright guitar textures, an instantly recognisable bassline and an infectious rhythm, the track remains one of the band's most enduring songs and a landmark of alternative and new wave music.\u003c\/p\u003e\n\u003cp\u003eOn the B-side is \"Snow In Summer\", an atmospheric track that was previously unavailable before the 1987 single. Its inclusion makes this 7\" particularly appealing to collectors looking for The Cure's non-album material. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis picture disc edition, catalogue number FICSP 27, was one of two limited UK editions of the single, alongside a numbered white-vinyl pressing. The picture disc was issued in a clear PVC picture sleeve, with 10,000 copies pressed, making it a desirable addition to collections of The Cure and 1980s alternative rock vinyl. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors of The Cure, Robert Smith, gothic rock, post-punk, new wave and 1980s alternative music, this striking picture disc combines one of the band's most iconic singles with the sought-after B-side \"Snow In Summer.\"\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eA\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust Like Heaven\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eB\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSnow In Summer\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/n3nPiBai66M?si=DhZs0VYjUc4yyqD-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fiction Records","offers":[{"title":"Default Title","offer_id":55036381430102,"sku":"FICSP 27","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_b22936de-59a4-4714-b3bb-e81a73591ea0.jpg?v=1787131136"},{"product_id":"the-cure-lovesong","title":"The Cure ‎– Lovesong","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Cure – Lovesong\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe Cure – Lovesong is the classic 1989 UK 7\" single, released on Fiction Records as FICS 30 and taken from the band's landmark album \u003cem\u003eDisintegration\u003c\/em\u003e. Released on 21 August 1989, the single reached No. 18 in the UK Singles Chart, while \"Lovesong\" went on to become one of The Cure's most recognisable and enduring songs. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe A-side features \"Lovesong\", Robert Smith's beautifully understated declaration of love, combining shimmering guitar, melodic bass and the band's distinctive atmospheric sound. Originally written as a wedding present for Smith's future wife, Mary Poole, the song became one of The Cure's biggest international successes and reached No. 2 in the US, their highest-charting single there. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe B-side, \"2 Late\", is a particularly well-regarded Cure B-side and is one of the reasons this original 7\" remains appealing to fans and collectors. The UK 7\" contains the two-track pairing of \"Lovesong\" and \"2 Late\", while the accompanying 12\" added \"Fear Of Ghosts\" and an extended remix of \"Lovesong\". \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the standard UK FICS 30 7\" pressing, rather than the more collectible Lovebox FICSG 30 edition, which was a limited 10,000-copy box set containing a linen print. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors of The Cure, Robert Smith, Disintegration, gothic rock, post-punk, new wave and 1980s alternative music, \u003cem\u003eLovesong\u003c\/em\u003e is an essential Cure single and a great example of the band's more melodic late-1980s period.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eA\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLovesong\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eB\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2 Late\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ks_qOI0lzho?si=Pf6nSPBN9P5tve85\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fiction Records","offers":[{"title":"Default Title","offer_id":55036716679510,"sku":"FICS 30","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_5914857a-951a-4119-952c-d756030ea2de.jpg?v=1787135026"},{"product_id":"wayne-fontana-the-impossible-years","title":"Wayne Fontana – The impossible Years","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eWayne Fontana – The Impossible Years\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Impossible Years\u003c\/em\u003e is a classic Wayne Fontana 7\" single, showcasing the melodic British pop sound of one of the key voices of the 1960s beat and pop scene. Best known as the original frontman of Wayne Fontana \u0026amp; The Mindbenders, Fontana enjoyed a successful solo career after leaving the group, continuing to release polished pop records throughout the decade.\u003c\/p\u003e\n\u003cp\u003eWayne Fontana first rose to prominence with The Mindbenders, scoring major international success with the 1965 hit The Game Of Love. After parting ways with the band, he pursued a solo career and continued working within the sophisticated British pop sound that emerged during the mid-to-late 1960s.\u003c\/p\u003e\n\u003cp\u003eThe title track, The Impossible Years, is a melodic and carefully arranged pop performance that reflects the era's move away from straightforward beat music towards more sophisticated songwriting and production. Fontana's clear, expressive vocal sits at the centre of the arrangement, giving the song an unmistakably period British-pop character.\u003c\/p\u003e\n\u003cp\u003eThe B-side, In My World, provides a complementary listen and makes this a desirable addition for collectors of Fontana's solo recordings and 1960s British pop. Together, the two tracks offer a concise snapshot of an artist who successfully navigated the transition from the Merseybeat and British beat boom into the more polished pop sound of the later 1960s.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Wayne Fontana vinyl, 1960s British pop, beat music and mod-era records, this single is an appealing addition to a vintage singles collection. Fans of The Mindbenders, The Hollies, The Dave Clark Five and Gerry \u0026amp; The Pacemakers should also enjoy its melodic, distinctly British character.\u003c\/p\u003e\n\u003cp\u003eA great choice for collectors looking for original 1960s British pop singles, \u003cem\u003eThe Impossible Years\u003c\/em\u003e captures Wayne Fontana during his post-Mindbenders solo career.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Impossible Years\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn My World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/njTh6lm8nXA?si=Xpz6stmlhSZlrDE4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fontana Records","offers":[{"title":"Default Title","offer_id":55132163047766,"sku":"TF 866","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_3fa2a09b-4cfb-41c3-a6a0-2420d4b15585.jpg?v=1788022070"},{"product_id":"queen-we-are-the-champions","title":"Queen – We Are The Champions","description":"\u003ch4\u003e\u003cspan\u003eQueen – We Are The Champions \/ We Will Rock You\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOwn one of the most iconic double-sided singles in rock history with Queen – We Are The Champions \/ We Will Rock You, the classic 1977 pairing that helped define the sound of stadium and arena rock.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eReleased on 7 October 1977 alongside Queen’s sixth studio album \u003cem\u003eNews Of The World\u003c\/em\u003e, the single brought together two of the band's most enduring anthems. “We Are The Champions”, written by Freddie Mercury, combines a powerful piano-led arrangement with soaring vocals and a triumphant chorus, while “We Will Rock You”, written by Brian May, strips rock down to its instantly recognisable stomp, clap and vocal rhythm.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe pairing was particularly effective because the two songs naturally work together: “We Will Rock You” builds its huge communal rhythm before “We Are The Champions” delivers the victorious finale. Radio stations frequently played the two tracks consecutively, helping cement their reputation as a natural sporting and stadium soundtrack.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“We Are The Champions” became a major international hit, reaching No. 2 in the UK and No. 4 on the US Billboard Hot 100, while both songs went on to become staples of sporting events, celebrations and live performances around the world.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor Queen collectors and fans of classic rock vinyl, this 7-inch Queen single\u003cspan\u003e is an essential piece of the band's late-1970s catalogue. It captures Freddie Mercury, Brian May, Roger Taylor and John Deacon at one of their most anthemic, instantly recognisable moments, and remains one of the definitive Queen records to own on vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eWe Are The Champions\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eWe Will Rock You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FP808MiJUcM?si=2glZDVN9l73l88XF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"EMI Records","offers":[{"title":"Default Title","offer_id":55226191577430,"sku":"EMI 2708","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_12f2a6fa-c72d-464f-97d7-8c9535001685.jpg?v=1788597963"},{"product_id":"bauhaus-dark-entries-1","title":"Båuhåus – Dark Entries","description":"\u003ch4\u003e\u003cspan\u003eBåuhåus – Dark Entries \/ Untitled\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA landmark early release from one of the defining bands of the British gothic and post-punk movement, Bauhaus – Dark Entries \/ Untitled is a classic 1980 7\" single and an essential piece of the band's early catalogue.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eReleased in January 1980, “Dark Entries” was Bauhaus' second single and originally appeared on Axis Records, the label that subsequently became 4AD. It was later reissued through 4AD and Beggars Banquet. The single arrived shortly after the band's groundbreaking debut “Bela Lugosi's Dead”, establishing the darker, more abrasive direction that would become synonymous with Bauhaus.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eDriven by Daniel Ash's jagged guitar, Kevin Haskins' frenetic percussion, David J's bass and Peter Murphy's intense, breathless vocals, “Dark Entries” is considerably more punk-influenced and aggressive than the atmospheric reputation sometimes associated with Bauhaus. Its rapid pace, feedback and pounding rhythm capture the raw energy of the band's formative period.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe single's untitled B-side adds an intriguing experimental counterpoint to the ferocity of the A-side. At just 1:24, “Untitled” is a brief but distinctive piece that makes this original two-track release particularly interesting for collectors and fans of Bauhaus' early work. The original 7\" release is documented with exactly this A\/B pairing and timings.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“Dark Entries” would later appear on Bauhaus' influential debut album \u003cem\u003eIn The Flat Field\u003c\/em\u003e, released by 4AD in November 1980. Its inclusion helped establish the track as one of the essential recordings from the band's early period, alongside songs such as “Double Dare”, “In The Flat Field” and “Stigmata Martyr”.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Bauhaus vinyl, gothic rock and classic post-punk 7\" singles, \u003cem\u003e\u003cspan\u003eDark Entries\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an especially significant release. It belongs to the formative era of the 4AD\/Beggars Banquet independent scene and captures Bauhaus before their sound developed into the more expansive and experimental style heard across their later albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eDark Entries — 3:51\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eUntitled — 1:24\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o0OnHpuuMMo?si=dPdWW7ALPokeiOso\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Axis Records","offers":[{"title":"Default Title","offer_id":55226703577430,"sku":"AXIS3","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_96e82579-61b4-41b4-b440-77b4e058cda9.jpg?v=1788599912"},{"product_id":"robin-luke-susie-darlin","title":"Robin Luke ‎– Susie Darlin'","description":"\u003ch4\u003e\u003cspan\u003eRobin Luke – Susie Darlin' \/ Living's Loving You\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA genuine late-1950s rock ’n’ roll favourite, Robin Luke – Susie Darlin' \/ Living's Loving You is the classic 1958 7\" single that introduced Luke to a huge international audience. Combining innocent teen romance with the gentle, melodic side of early rock ’n’ roll, “Susie Darlin'” remains one of the era's most recognisable romantic rockabilly recordings.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eWritten by Robin Luke himself, “Susie Darlin'” was inspired by his five-year-old sister, Susie, and was originally titled “All Night Long” before being renamed. Luke was living in Honolulu and attending Punahou School when he began his recording career, giving the record a distinctive connection to Hawaii's burgeoning local music scene.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe song was recorded in Honolulu and initially issued locally before being picked up for wider distribution by Dot Records. The Dot 7\" release, catalogue 45-15781, paired “Susie Darlin'” with the equally Luke-penned “Living's Loving You”, with Bob Bertram handling the arrangement and conducting.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“Susie Darlin'” became a major hit in 1958, reaching No. 5 on the Billboard Hot 100, while also reaching No. 26 on the US R\u0026amp;B chart. In Britain, the record was issued on London Records and reached No. 23 on the UK Singles Chart, making it one of the more successful American teen-rock records to cross over into the British market during the early rock ’n’ roll era.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe record's success reportedly pushed sales beyond one million copies in the United States, earning Luke a gold record. He subsequently appeared on major American television programmes including \u003cem\u003eAmerican Bandstand\u003c\/em\u003e and the \u003cem\u003ePerry Como Show\u003c\/em\u003e. Although he continued recording, “Susie Darlin'” remained his defining hit and his most enduring contribution to 1950s rock ’n’ roll.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of 1950s rock ’n’ roll, rockabilly, teen pop and vintage 45s\u003cspan\u003e, this is an essential record. Its combination of youthful innocence, catchy songwriting and understated rock ’n’ roll charm places Robin Luke alongside the romantic rockers of the period, making \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSusie Darlin' \/ Living's Loving You\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e a particularly appealing addition to any vintage vinyl collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eSusie Darlin'\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eLiving's Loving You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OPL4d-mcAxs?si=dtiQhwEe33F0U2oX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":55226988265814,"sku":"45-HLD 8676","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_7957369a-fb3f-45f8-a0e5-5a60683ebd77.jpg?v=1788602582"},{"product_id":"robert-parker-julien-covey-the-anglos-barefootin-a-little-bit-hurt-incense","title":"Robert Parker \/ Julien Covey \/ The Anglos – Barefootin' \/ A Little Bit Hurt \/ Incense","description":"\u003ch4\u003e\u003cspan\u003eRobert Parker \/ Julien Covey \/ The Anglos – Barefootin' \/ A Little Bit Hurt \/ Incense\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA fantastic slice of vintage soul and R\u0026amp;B, this Robert Parker \/ Julien Covey \/ The Anglos – Barefootin' \/ A Little Bit Hurt \/ Incense 7\" brings together three standout recordings from the 1960s. Issued in the UK on the Sue label in 1980, the release is part of Island Records' \u003cem\u003ePlundering The Archives\u003c\/em\u003e series and offers a compact selection of dancefloor-friendly soul with strong appeal to Northern Soul and mod collectors.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOpening with Robert Parker's “Barefootin'”, the record immediately delivers one of the great New Orleans soul and R\u0026amp;B grooves of the mid-1960s. Parker's infectious vocal and the song's irresistible rhythm helped make “Barefootin'” his signature recording, originally released in 1966 and subsequently embraced by generations of soul and R\u0026amp;B fans.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe B-side moves into two more highly collectable cuts. Julien Covey's “A Little Bit Hurt” was originally released in the UK by Island in 1967, backed with “Sweet Bacon”, and has since become particularly sought-after among fans of obscure British soul and Northern Soul.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eCompleting the trio is The Anglos' “Incense”, one of the great mysterious records of the mid-1960s. Originally issued in the US on Orbit in 1965, it subsequently appeared in the UK on labels including Brit and Fontana. The record became famous for its soulful vocal, which was frequently—and incorrectly—attributed to Steve Winwood. Research into the recording identifies The Anglos as an American group, with Joe Webster associated with the lead vocal, while Jimmy Miller was involved in the songwriting and production.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“Incense” also developed a strong reputation among collectors and DJs, receiving significant UK radio exposure in 1965 despite never becoming a conventional chart hit. Its mysterious history, distinctive vocal and hard-to-find original pressings have helped make it a genuine cult favourite among Northern Soul, mod and rare 1960s soul collectors.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors, this release is an excellent example of the way Sue Records and Island Records mined their archives for classic and overlooked soul recordings. With Robert Parker's “Barefootin'”, Julien Covey's “A Little Bit Hurt” and The Anglos' legendary “Incense” all on one record, it makes an appealing addition to collections of Northern Soul, 1960s R\u0026amp;B, mod and vintage 7\" vinyl.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eRobert Parker – Barefootin'\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eJulien Covey – A Little Bit Hurt\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Anglos – Incense\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2VZakvxRD44?si=fEW7__a4L6HrfLtL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sue Records International","offers":[{"title":"Default Title","offer_id":55227078246742,"sku":"WIP 6615","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_6e7deb5c-2bca-43f0-acb4-99a968e5fc5c.jpg?v=1788603378"},{"product_id":"the-caravelles-the-other-side-of-love","title":"The Caravelles – The Other Side Of Love","description":"\u003ch4\u003e\u003cspan\u003eThe Caravelles – The Other Side Of Love \/ I Hear A New Kind Of Music\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA charming late-1960s single from British female duo The Caravelles, \u003cem\u003eThe Other Side Of Love \/ I Hear A New Kind Of Music\u003c\/em\u003e showcases the polished, melodic pop sound that made the duo a memorable part of the British pop scene of the 1960s.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe Caravelles were Lois Wilkinson and Andrea Simpson, a London-based vocal duo whose career began in the early 1960s. The pair originally worked together and entertained at office parties before recording a demo of “You Don't Have To Be A Baby To Cry”. Their version became a major international hit, reaching No. 6 in the UK and No. 3 on the US Billboard Hot 100 in 1963.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eBy the time of this release, The Caravelles had moved beyond the huge success of their early hit and continued recording a mixture of sophisticated pop, romantic ballads and contemporary British material. “The Other Side Of Love” was released in 1968 on Pye Records, with songwriting credited to Mitch Murray and Peter Callander.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOn the flip side, “I Hear A New Kind Of Music” provides another example of the duo's distinctive vocal style. The track, like “The Other Side Of Love”, is included on \u003cem\u003eThe Complete Caravelles 1963–1968\u003c\/em\u003e, documenting the final period of their original recording career.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe Caravelles' appeal lies in their distinctive close vocal harmonies and understated early-60s pop style, placing them comfortably alongside the girl-group and vocal-pop records that defined the British charts during the decade. Their catalogue also offers an interesting snapshot of the transition from early-60s vocal pop towards the more sophisticated production styles of the late 1960s.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of 1960s British pop, girl groups, vintage Pye Records singles and classic 7\" vinyl, \u003cem\u003e\u003cspan\u003eThe Other Side Of Love \/ I Hear A New Kind Of Music\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a lovely later-period Caravelles release. It also makes an interesting addition for anyone exploring beyond the duo's famous “You Don't Have To Be A Baby To Cry” and discovering the deeper corners of their 1960s catalogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eThe Other Side Of Love\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eI Hear A New Kind Of Music\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wWp8d2Jmvuk?si=1xgjxhutXuWu32Ee\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PYE Records","offers":[{"title":"Default Title","offer_id":55227182842198,"sku":"7N.17654","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_ef751ff8-56e5-4e66-9d1e-b82501f1463a.jpg?v=1788603915"},{"product_id":"mike-berry-the-innocents-on-my-mind","title":"Mike Berry \u0026 The Innocents – On My Mind","description":"\u003ch4\u003e\u003cspan\u003eMike Berry \u0026amp; The Innocents – On My Mind \/ This Little Girl\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eMike Berry \u0026amp; The Innocents – On My Mind \/ This Little Girl is a classic slice of early-1960s British beat and pop, released on His Master's Voice in January 1964. Issued as HMV POP 1257, the 7\" captures Mike Berry during the period when his rock \u0026amp; roll roots were being developed into a polished British pop sound.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eBerry had already established himself as one of Britain's most successful early rock \u0026amp; roll singers. Working closely with producer and songwriter Joe Meek, he had enjoyed a major UK hit with “Don't You Think It's Time”, which reached No. 6 in 1962, followed by “My Little Baby”, which reached No. 34 in 1963. His recordings during this period combined American rock \u0026amp; roll influences with the distinctive production style emerging from the British beat scene.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor this release, Berry is accompanied by The Innocents, the vocal group who also worked with him on a number of recordings during 1963–64. The A-side, “On My Mind”, is a concise, melodic piece of British pop, while “This Little Girl” provides an equally appealing B-side. Both songs were written by Berry, making the single an interesting example of his own songwriting as well as his work as a performer.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe single sits at an interesting point in Berry's career. The British beat boom was rapidly changing the pop landscape in 1964, with groups such as The Beatles, The Searchers and The Hollies dominating the charts, yet Berry remained closely connected to the earlier generation of British rock \u0026amp; roll performers. His records from this period therefore offer an appealing bridge between 1950s rock \u0026amp; roll, early-60s pop and the emerging British beat sound.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“On My Mind” was subsequently included on compilations documenting Berry's 1960s recordings, alongside earlier favourites such as “Tribute To Buddy Holly”, “Don't You Think It's Time” and “My Little Baby”. The recording itself is particularly short and punchy, typical of the early-60s pop format, with the track listed at around 1:42 on later compilations.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Mike Berry vinyl, Joe Meek productions, HMV 45s, British beat and 1960s pop, this is a desirable period single. \u003cem\u003eOn My Mind \/ This Little Girl\u003c\/em\u003e showcases Berry at a fascinating moment just before the British Invasion completely transformed the UK singles market, making it a great addition to collections focused on vintage British rock \u0026amp; roll and beat-era 7\" vinyl.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eOn My Mind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cspan\u003eThis Little Girl\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8adXZ5UsazQ?si=l9Nl9-x5S5QUe2FA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"HMV Records","offers":[{"title":"Default Title","offer_id":55227750646102,"sku":"POP 1257","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_60db719f-7120-49de-a817-a3f3df7231ec.jpg?v=1788609490"},{"product_id":"bill-haley-and-his-comets-rock-the-joint","title":"Bill Haley And His Comets – Rock The Joint","description":"\u003ch4\u003e\u003cspan\u003eBill Haley And His Comets – Rock The Joint \/ Yes Indeed!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eBill Haley And His Comets – Rock The Joint \/ Yes Indeed! is an important early rock ’n’ roll 7\" single, bringing together two recordings from the formative years of one of the most influential acts in the development of rock music. This UK release pairs “Rock The Joint”, the landmark 1952 recording, with “Yes Indeed!”, showcasing Haley's transition from country and western swing towards the harder-edged sound that would soon become rock ’n’ roll.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOriginally recorded in 1952, “Rock The Joint” was based on the 1949 rhythm \u0026amp; blues number by Jimmy Preston and His Prestonians. Bill Haley and his band radically reshaped the song, combining R\u0026amp;B energy with their country and western influences. The result is widely regarded as one of the key early rockabilly and proto-rock ’n’ roll recordings, arriving three years before Haley's breakthrough with “Rock Around The Clock”.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe recording is particularly notable for its distinctive instrumentation. Marshall Lytle's slapped double bass provides much of the driving rhythm, while Danny Cedrone's electric guitar adds the kind of aggressive lead sound that would become central to Haley's later records. Indeed, elements of the arrangement and guitar work from “Rock The Joint” would influence the famous sound of “Rock Around The Clock” two years later.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe UK single was issued by London Records in 1957, catalogue DL 20 068, and was effectively a reissue of the original 1952 “Rock The Joint” recording. It was released at a time when Haley had become an international rock ’n’ roll star, giving British audiences another opportunity to hear the recording that had helped establish his musical direction. The single reached No. 20 in the UK Singles Chart.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eCompleting the release is “Yes Indeed!”, another energetic Haley recording from the early Essex era. Together, the two sides provide a fascinating snapshot of the sound developing around Haley and the Comets before their enormous mid-1950s success. The combination of country, blues, R\u0026amp;B and boogie elements makes these recordings particularly valuable for anyone exploring the roots of rock ’n’ roll.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Bill Haley vinyl, rockabilly, early rock ’n’ roll, 1950s 7\" singles and vintage London Records, \u003cem\u003e\u003cspan\u003eRock The Joint \/ Yes Indeed!\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an especially significant release. “Rock The Joint” is more than an early Haley favourite: it represents an important stepping stone between post-war rhythm \u0026amp; blues and the rock ’n’ roll explosion that followed.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eRock The Joint\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eYes Indeed!\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hNUvVoyzmHQ?si=yd1isChPfFDlQgif\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":55227914158422,"sku":"45-HL-F-8371","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_30a97392-ac32-4c1d-b2ab-d8f73b8408f3.jpg?v=1788609708"},{"product_id":"duane-eddy-yep","title":"Duane Eddy – Yep!","description":"\u003ch4\u003e\u003cspan\u003eDuane Eddy – Yep!\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eDuane Eddy – Yep! is a classic 1959 UK rock \u0026amp; roll EP showcasing the revolutionary guitar sound that made Eddy one of the defining instrumentalists of the early rock era. Released on London Records in June 1959, the four-track EP brings together Eddy's distinctive twangy guitar style with a selection of energetic and atmospheric instrumentals from his hugely successful late-1950s period.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe title track, “Yep!”, was released in the US as a single in March 1959 and became another major success for Eddy, reaching No. 30 on the US Billboard Hot 100 and No. 17 in the UK. Written by Eddy and his legendary collaborator Lee Hazlewood, the recording combines Eddy's unmistakable echo-drenched guitar with shouted vocal effects, honking saxophone and a driving rhythm section.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eBacking it is “Three-30-Blues”, a slower, moodier instrumental that originally appeared on Eddy's \u003cem\u003eHave 'Twangy' Guitar – Will Travel\u003c\/em\u003e album. Contemporary reviews described it as an after-hours blues performance, providing an excellent contrast to the more explosive “Yep!”.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe second half of the EP features “The Lonesome Road” and “Loving You”, both of which demonstrate the versatility of Eddy's instrumental approach. His performances were built around the deep, reverberating tone of his Gretsch guitar, supported by the musicians who became known as The Rebels. This powerful combination helped establish the sound that would influence generations of rock, surf and instrumental guitar music.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eDuane Eddy's success was central to the development of instrumental rock, with records such as “Rebel-'Rouser”, “Ramrod”, “Cannonball” and “Forty Miles Of Bad Road” becoming defining recordings of the late-1950s rock \u0026amp; roll era. His low-register guitar tone and use of dramatic echo created a sound that was immediately recognisable and helped establish the electric guitar as a dominant lead instrument in popular music.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Duane Eddy vinyl, rockabilly, early rock \u0026amp; roll, instrumental guitar and vintage 1950s EPs\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eYep!\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a particularly appealing release. The UK London EP format brings four excellent recordings together and captures Eddy at the height of his original rock \u0026amp; roll success, making it a great addition to any collection of classic vintage vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eYep!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree-30-Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eThe Lonesome Road\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLoving You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WbzdAh7ANhs?si=jDqRzz8S-Yvl0-ff\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"London Records","offers":[{"title":"Default Title","offer_id":55228752560470,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_10b918e6-85ce-44eb-a259-0b7dbdac9489.jpg?v=1788616677"},{"product_id":"elvis-presley-with-the-jordanaires-all-shook-up","title":"Elvis Presley With The Jordanaires – All Shook Up","description":"\u003ch4\u003e\u003cspan\u003eElvis Presley With The Jordanaires – All Shook Up \/ That's When Your Heartaches Begin\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eElvis Presley With The Jordanaires – All Shook Up \/ That's When Your Heartaches Begin is one of the defining singles of Elvis Presley's breakthrough years, released by RCA Victor in March 1957. The record paired the explosive rock \u0026amp; roll of “All Shook Up” with the darker, more intimate ballad “That's When Your Heartaches Begin”, giving listeners two very different sides of Elvis at the height of his early fame.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eRecorded at Radio Recorders in Hollywood in January 1957, “All Shook Up” was written by Otis Blackwell, with Elvis receiving songwriting credit, and became one of his biggest early successes. The recording features Scotty Moore on guitar, Bill Black on bass, D.J. Fontana on drums and Gordon Stoker on piano, with The Jordanaires providing their distinctive backing vocals.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe song became a phenomenal commercial success, reaching No. 1 in the United States and remaining at the top of the charts for eight weeks. In Britain, “All Shook Up” also reached No. 1, spending seven weeks at the summit of the UK Singles Chart. It ultimately became one of the defining hit singles of 1957 and one of Elvis's signature recordings.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe B-side, “That's When Your Heartaches Begin”, has a very different character. Originally associated with The Ink Spots, Elvis had actually recorded the song during his famous 1953 custom recording session at Sun Records. He returned to it in January 1957, producing a much fuller and more mature interpretation featuring Scotty Moore, Bill Black, D.J. Fontana, Gordon Stoker and The Jordanaires.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe contrast between the two sides makes the single particularly appealing: “All Shook Up” is concise, rhythmic and irresistibly energetic, while “That's When Your Heartaches Begin” is a moody late-night ballad that allows Elvis's vocal phrasing and the Jordanaires' harmonies to take centre stage. Together they capture the extraordinary versatility that helped establish Presley as the defining figure of 1950s rock \u0026amp; roll.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Elvis Presley vinyl, RCA Victor 45s, rock \u0026amp; roll, rockabilly and vintage 1950s singles\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAll Shook Up \/ That's When Your Heartaches Begin\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an essential record. It captures Elvis at one of the most commercially successful moments of his early career, backed by the musicians and vocal group who helped create the unmistakable sound of his classic RCA recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eAll Shook Up — 1:59\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eThat's When Your Heartaches Begin — 3:27\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YgOw-98DksU?si=8Rr_sdAbx1YnmixL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"HMV Records","offers":[{"title":"Default Title","offer_id":55229257089366,"sku":"45-POP 359","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_02ea4440-1a16-425a-b9f7-0a0f3136fc53.jpg?v=1788623346"},{"product_id":"wilfred-candle-in-the-wind","title":"Wilfred – Candle In The Wind","description":"\u003ch4\u003eWilfred – Candle In The Wind \/ Between The Lines\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA fascinating piece of Isle of Wight rock history, \u003cem\u003eCandle In The Wind \/ Between The Lines\u003c\/em\u003e was released by Wilfred on Parlophone in March 1970. While the name Wilfred may not immediately be familiar, the group behind the record were actually The Cherokees, an Isle of Wight band originally formed on the island in 1957. They adopted the Wilfred name for this release to avoid confusion with another, more successful group using The Cherokees name on the mainland.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe story of The Cherokees is closely tied to the early beat and rock scene on the Isle of Wight. The band developed a strong local following during the 1960s and played extensively around the island, including a notable 1964 appearance at Ryde's Esplanade Pavilion supporting The Rolling Stones. They also recorded a locally released four-track EP in 1966 before continuing their recording career under the Wilfred name.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e“Candle In The Wind” is the A-side and a melodic slice of late-1960s\/early-1970s British pop-rock, quite removed from the better-known Elton John song of the same title. The track was written by John Winsley and Bob Saker, and was also recorded around the same period by the Japanese group Akai Tori (Red Birds).\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe B-side, “Between The Lines”, was written by Cherokees guitarist Brian Sharpe, giving the single an additional connection to the group's own songwriting. The record was issued in the UK as Parlophone R 5836, with contemporary trade press listing it among the new singles released on 26 March 1970.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors, this is much more than an obscure 1970 British single: it is a document of the Isle of Wight's developing rock scene, featuring a group that had already been active on the island for more than a decade. The Wilfred name, short-lived single release and relatively obscure history all add to its appeal for collectors of British rock, 1960s\/70s pop, Isle of Wight music and rare Parlophone singles.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA particularly interesting record for anyone collecting the musical history of the Isle of Wight, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eCandle In The Wind \/ Between The Lines\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an overlooked piece of British pop-rock history from a band whose roots stretch back to the island's early beat era.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eCandle In The Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eBetween The Lines\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T2HZ-GzhEdI?si=j_7re4KQzZnVZJDS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Parlophone Records","offers":[{"title":"Default Title","offer_id":55229751787862,"sku":"R 5836","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_766b2205-a233-4ac3-91de-5b555ba8d92f.jpg?v=1788625488"},{"product_id":"legendary-masked-surfers-featuring-dean-torrence-gonna-hustle-you","title":"Legendary Masked Surfers Featuring Dean Torrence ‎– Gonna Hustle You","description":"\u003ch4\u003eLegendary Masked Surfers Featuring Dean Torrence – Gonna Hustle You \/ Summertime, Summertime\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA wonderfully eccentric slice of California surf-pop history, \u003cem\u003eGonna Hustle You \/ Summertime, Summertime\u003c\/em\u003e was issued in the early 1970s by the mysterious-sounding Legendary Masked Surfers, featuring Dean Torrence of the legendary duo Jan \u0026amp; Dean. The UK edition appeared on United Artists as UP 35542, released on 25 May 1973.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe A-side, “Gonna Hustle You”, has a particularly interesting history. The song was built around the musical backing of Jan \u0026amp; Dean's 1964 hit “The New Girl In School”, with Dean Torrence recording new vocals and revisiting the song almost a decade later. The composition is credited to Brian Wilson and Jan Berry, bringing together two hugely important figures from the classic California pop and surf scene.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eRather than simply being a straightforward reissue, this version represents Dean Torrence's attempt to give the material a fresh early-1970s presentation. Contemporary trade press described it as an updated take on the vintage California sound, while the \u003cem\u003eLos Angeles Times\u003c\/em\u003e later highlighted it as a distinctive summer-pop record with a slightly harder edge than the classic Beach Boys sound.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe B-side, “Summertime, Summertime”, continues the deliberately nostalgic California theme. Originally associated with the 1958 James and the Velvets recording, the song was written by Tom Jameson and Sherman Feller and was produced here by Dean Torrence. The result is another sunny piece of retro surf-pop that fits naturally alongside the records of Jan \u0026amp; Dean, The Beach Boys and other West Coast vocal groups.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors, the record is especially interesting because of its unusual place in the Jan \u0026amp; Dean catalogue. It isn't simply a Jan \u0026amp; Dean release under another name: the “Legendary Masked Surfers” identity was used for this project, with Dean Torrence revisiting the group's earlier material and giving the classic surf sound a 1970s makeover. The unusual artist credit, United Artists label and connection to both Dean Torrence and Brian Wilson make it an appealing record for collectors of California pop, surf music and obscure 1970s reissues.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA great little 7\" for fans of Jan \u0026amp; Dean, The Beach Boys, Brian Wilson, surf rock and 1960s California pop\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGonna Hustle You \/ Summertime, Summertime\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the kind of unusual crossover single that adds character to a specialist vinyl collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eGonna Hustle You – 2:43\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eSummertime, Summertime – 2:33\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XeRQnz3CkUg?si=1FBwH4uCXTUZNh1-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"United Artists Records","offers":[{"title":"Default Title","offer_id":55253896200534,"sku":"UP 35542","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_11958b5d-4b1b-4efd-a2f3-e8a5a037f423.jpg?v=1788861302"},{"product_id":"rick-nelson-string-along-gypsy-woman","title":"Rick Nelson – String Along \/ Gypsy Woman","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eRick Nelson – \u003cem\u003eString Along \/ Gypsy Woman\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eA classic slice of early-1960s Rick Nelson (also known as Ricky Nelson), \u003cem\u003eString Along \/ Gypsy Woman\u003c\/em\u003e was issued by Decca Records in 1963, arriving during an important period in Nelson's transition from his early rockabilly and teen-pop successes towards a more mature country-influenced pop and rock sound. The US single was released as Decca 31495, with “String Along” as the A-side and “Gypsy Woman” on the reverse. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“String Along” was written by Bobby Doyle and Jimmy Duncan and became a sizeable US hit for Nelson, reaching No. 25 on the Billboard Hot 100 in 1963. The recording has the polished, romantic vocal-pop style that characterised much of Nelson's work during this period, while retaining the understated rock \u0026amp; roll sensibility that had made him one of the biggest stars of the late 1950s. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe B-side, “Gypsy Woman”, was written by Dorsey Burnette and Joe Osborn and provides a striking contrast. More upbeat and rhythmically forceful than the A-side, it has been described as an unusually tough performance for Nelson's early-60s period. Both tracks were later included on Nelson's \u003cem\u003eFor Your Sweet Love\u003c\/em\u003e album, with “Gypsy Woman” standing out as one of the record's more energetic performances. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe single also reflects the changing landscape of Nelson's career. By 1963 he was no longer simply the clean-cut television idol of \u003cem\u003eThe Adventures of Ozzie and Harriet\u003c\/em\u003e, but an established recording artist exploring a broader palette of pop, rock, country and R\u0026amp;B-influenced material. His smooth vocal delivery and carefully arranged backing helped bridge the gap between his late-1950s rock \u0026amp; roll records and the more sophisticated country-rock direction he would increasingly pursue later in the decade.\u003c\/p\u003e\n\u003cp\u003eFor collectors, \u003cem\u003eString Along \/ Gypsy Woman\u003c\/em\u003e is an excellent example of 1960s Rick Nelson vinyl, particularly appealing to fans of early rock \u0026amp; roll, American pop and the crossover between rockabilly, country and mainstream pop. The double-sided strength of the record is a bonus, with “String Along” providing the commercial pop side and “Gypsy Woman” offering a tougher, more rhythm-driven alternative.\u003c\/p\u003e\n\u003cp\u003eA highly collectable 1963 7\" from one of the key figures in the development of American rock and country-pop, this is an essential addition for anyone building a collection around Rick Nelson, 1950s and 1960s rock \u0026amp; roll, American teen pop or early country rock.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eString Along – 2:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGypsy Woman – 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/l9GUV6Kru1s?si=XOVmZoo1S5_yRHqp\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Brunswick Records","offers":[{"title":"Default Title","offer_id":55255014342998,"sku":"05889","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_3a91df56-85d3-4f74-88c8-63a3e4c82689.jpg?v=1788863590"},{"product_id":"blondie-picture-this","title":"Blondie – Picture This","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eBlondie – Picture This \/ Fade Away And Radiate\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThis limited edition yellow semi-transparent vinyl 7\" captures Blondie at one of the most important moments in their career. Released by Chrysalis Records in 1978, “Picture This” was the first single taken from the band's landmark third album, \u003cem\u003eParallel Lines\u003c\/em\u003e, and became a major UK hit, reaching No. 12 on the UK Singles Chart. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWritten by Deborah Harry, Chris Stein and Jimmy Destri, “Picture This” perfectly demonstrates the combination that made Blondie so distinctive. Harry's cool, charismatic vocal sits over a bright, melodic arrangement that draws together new wave, punk, power pop and classic girl-group pop, helping establish Blondie's ability to move effortlessly between underground New York cool and mainstream pop success. Produced by Mike Chapman, the single helped introduce the wider British audience to the sound that would make \u003cem\u003eParallel Lines\u003c\/em\u003e such an influential album. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe B-side, “Fade Away And Radiate”, provides a fascinating contrast. A more atmospheric and experimental track written by Chris Stein, it features Robert Fripp of King Crimson on guitar, adding an unexpected progressive and art-rock dimension to the record. Fripp's distinctive contribution makes the B-side particularly interesting for collectors and demonstrates how adventurous Blondie's musical palette could be beneath their pop exterior. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBoth songs appear on \u003cem\u003eParallel Lines\u003c\/em\u003e, the album that would propel Blondie to international stardom. Released in September 1978 and produced by Mike Chapman, the album also introduced some of the band's most enduring songs, including “Hanging On The Telephone”, “One Way Or Another”, “Sunday Girl” and, later, the worldwide smash “Heart Of Glass”. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe single itself is particularly desirable in this yellow semi-transparent limited-edition pressing. The standard UK Chrysalis release was issued as CHS 2242, with the same two tracks, but coloured-vinyl editions such as this add considerable visual and collector appeal. The unusual pressing makes it an attractive addition for fans collecting Blondie vinyl, coloured vinyl, 1970s new wave and classic punk-era singles. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors, this is a great example of Blondie just before their transformation into one of the biggest bands of the late 1970s. With the infectious “Picture This” on the A-side and the atmospheric “Fade Away And Radiate” featuring Robert Fripp on the reverse, it combines pop accessibility with the adventurous spirit of New York's emerging new wave scene.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePicture This – 2:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFade Away And Radiate – 3:57\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QbdCpi4qTNY?si=cwTvwY8gm0hDJcKR\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Chrysalis Records","offers":[{"title":"Default Title","offer_id":55255541350742,"sku":"CHS 2242","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_304f3660-eb63-4cda-b06b-024314dd9c08.jpg?v=1788865471"},{"product_id":"the-poets-now-were-thru","title":"The Poets – Now We're Thru'","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eThe Poets – Now We're Thru' \/ There Are Some\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eA highly collectable piece of 1960s Scottish beat and freakbeat, \u003cem\u003eNow We're Thru' \/ There Are Some\u003c\/em\u003e was the debut single by The Poets, the Glasgow group who briefly looked destined to become one of Britain's next major beat acts. Released on Decca Records in October 1964, the single reached No. 31 on the UK Singles Chart, making it the band's only UK Top 40 hit. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Poets had been formed in Glasgow only around a year earlier, but their energetic live performances quickly attracted attention. Their biggest early champion was Andrew Loog Oldham, the Rolling Stones' manager and producer, who was sufficiently impressed to sign them to his production stable. Contemporary \u003cem\u003eRecord Mirror\u003c\/em\u003e coverage described Oldham as being amazed by the reaction to the group and compared their impact favourably with the early Rolling Stones. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe A-side, “Now We're Thru'”, was written by Poets members George Gallacher, Hume Paton and Tony Myles, with Andrew Loog Oldham credited as producer. The recording also features an important connection to another future musical heavyweight: John Paul Jones, later of Led Zeppelin, was responsible for the arrangement. That combination of Oldham's production, the band's raw Scottish beat sound and Jones's arrangement makes this an especially interesting record for collectors of British 1960s rock. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe B-side, “There Are Some”, was written by the same Gallacher\/Paton\/Myles songwriting team and was produced by Oldham as well. Both sides carry the distinctive energy of the mid-60s British beat boom, sitting comfortably alongside the tougher sounds now associated with freakbeat, mod and garage rock. The single was issued in the UK as Decca F 11995 on 9 October 1964. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Poets' subsequent career remained largely cult rather than commercial, with later Decca and Immediate singles failing to match the chart success of their debut. Their recordings have nevertheless become highly regarded among collectors of rare Scottish beat, British freakbeat and 1960s garage rock, with tracks subsequently appearing on specialist compilations including \u003cem\u003eNuggets II\u003c\/em\u003e and \u003cem\u003eThe Immediate Records Story\u003c\/em\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors, \u003cem\u003eNow We're Thru' \/ There Are Some\u003c\/em\u003e is therefore much more than an obscure 1964 single. It captures The Poets at their brief commercial peak, connects the Glasgow beat scene with Andrew Loog Oldham and features an early arrangement by John Paul Jones. A superb record for anyone collecting Scottish beat, freakbeat, mod, garage rock or rare Decca 7\" singles.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNow We're Thru'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Are Some\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C2PBoUBXY4w?si=jqPd4arKxbl13jZs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Decca Records","offers":[{"title":"Default Title","offer_id":55255725965654,"sku":"F.11995","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_8c9c7f38-64cc-403a-93d5-d7bd79a6b360.jpg?v=1788867201"},{"product_id":"johnny-kidd-and-the-pirates-a-shot-of-rhythm-and-blues-i-can-tell","title":"Johnny Kidd And The Pirates – A Shot Of Rhythm And Blues \/ I Can Tell","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eJohnny Kidd And The Pirates – A Shot Of Rhythm And Blues \/ I Can Tell\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eA superb early-1960s British rhythm \u0026amp; blues and rock \u0026amp; roll 7\", \u003cem\u003eA Shot Of Rhythm And Blues \/ I Can Tell\u003c\/em\u003e captures Johnny Kidd \u0026amp; The Pirates at a pivotal moment in the development of their sound. Released by His Master's Voice as POP 1088 on 9 November 1962, the single reached No. 48 in the UK Singles Chart. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe record introduced one of the most celebrated line-ups of The Pirates to the wider record-buying public. Alongside Johnny Kidd on vocals were Mick Green on lead guitar, Johnny Spence on bass and Frank Farley on drums. Green's distinctive playing – combining rhythm and lead guitar in a remarkably fluid style – became one of the defining characteristics of this version of The Pirates and helped point the way towards the British beat explosion that followed in 1963. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe A-side, “A Shot Of Rhythm And Blues”, was written by American songwriter Terry Thompson and had originally been recorded by R\u0026amp;B singer Arthur Alexander. Johnny Kidd \u0026amp; The Pirates' version brought the song firmly into the British club and beat scene, with a driving performance that contemporary reviewers praised for its combination of rhythm \u0026amp; blues, rock \u0026amp; roll and danceable beat. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe B-side, “I Can Tell”, is arguably just as important to collectors. Written by Samuel Smith and Ellas McDaniel (Bo Diddley), it showcases Mick Green's extraordinary guitar work and was recorded shortly before the A-side. The track is regarded as one of the key recordings demonstrating the new Pirates line-up and their increasingly hard-edged approach to American R\u0026amp;B material. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe single also has a fascinating connection to the Merseybeat scene. “A Shot Of Rhythm And Blues” became a favourite among Liverpool groups and was subsequently recorded by The Beatles, with John Lennon singing on three BBC performances in 1963. Gerry \u0026amp; The Pacemakers and Cilla Black also recorded versions, demonstrating how widely the song circulated among Britain's emerging beat musicians. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor collectors of Johnny Kidd \u0026amp; The Pirates vinyl, British R\u0026amp;B, early beat, freakbeat and 1960s rock \u0026amp; roll, this is an essential record. It marks the arrival of the classic Kidd\/Green\/Spence\/Farley Pirates line-up on record and captures the band just before the British beat boom transformed the musical landscape.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Shot Of Rhythm And Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Can Tell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s2uLGMdrS7U?si=5crlUiPJYS4WIbAC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"HMV Records","offers":[{"title":"Default Title","offer_id":55256634982742,"sku":"45-POP 1088","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_59dbd758-d1d7-4648-806d-e2feb9ab71d4.jpg?v=1788868103"},{"product_id":"the-crickets-featuring-buddy-holly-four-more","title":"The Crickets featuring Buddy Holly – Four More","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eThe Crickets Featuring Buddy Holly – Four More\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eA superb piece of Buddy Holly and The Crickets history, \u003cem\u003eFour More\u003c\/em\u003e is a four-track UK 7\" EP released by Coral Records in May 1960, shortly after Holly's death. Issued as Coral FEP 2060, the EP brings together four recordings from The Crickets' celebrated late-1950s catalogue and was marketed in Britain as featuring the late, great Buddy Holly. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe EP opens with “Last Night”, followed by “Send Me Some Lovin'”, a song that had already become an important part of the Holly\/Crickets repertoire. The second side features “You've Got Love” and “Rock Me My Baby”, giving the release a compact four-track snapshot of the group's melodic rock \u0026amp; roll style. The songwriting credits span Norman Petty, Bob Marascalco, Leo Price, Buddy Holly and other figures from the Crickets' recording circle. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough the record is credited to The Crickets Featuring Buddy Holly, it is worth noting that the Crickets' recordings continued to be issued after Holly's death, with his name remaining an important part of the group's identity. The 1960 release therefore sits in an unusual period of the catalogue: Buddy Holly had already died in February 1959, but his recordings and the music he made with The Crickets continued to appear on new British releases for years afterwards. Contemporary \u003cem\u003eCash Box\u003c\/em\u003e coverage specifically highlighted the late Buddy Holly's presence on the new \u003cem\u003eFour More\u003c\/em\u003e EP. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe record is also a great example of why the Crickets\/Buddy Holly catalogue remains so important to the history of rock \u0026amp; roll. The band's combination of electric guitars, close vocal harmonies, concise songwriting and driving rhythm helped establish a blueprint that would influence the British beat groups of the 1960s. The Beatles, The Rolling Stones and countless later rock bands drew heavily on the sound pioneered by Holly and The Crickets.\u003c\/p\u003e\n\u003cp\u003eFor collectors, \u003cem\u003eFour More\u003c\/em\u003e is particularly appealing as an original UK Coral EP, rather than simply another Buddy Holly compilation. The original Coral FEP 2060 issue has become a desirable piece of British rock \u0026amp; roll collecting, with contemporary and specialist record sources identifying it as a four-track 7\" EP. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn essential addition for fans of Buddy Holly, The Crickets, early rock \u0026amp; roll and 1950s rockabilly, \u003cem\u003eFour More\u003c\/em\u003e captures the enduring appeal of Holly's recordings at a time when his music was still finding new audiences on both sides of the Atlantic.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLast Night\u003c\/li\u003e\n\u003cli\u003eSend Me Some Lovin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou've Got Love\u003c\/li\u003e\n\u003cli\u003eRock Me My Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EAlxScp3Ixo?si=k9KlJvumFfyLpMki\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Coral Records","offers":[{"title":"Default Title","offer_id":55257391792470,"sku":"FEP 2060","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_853b4d5b-e416-4461-8b02-b61fc5659ec6.jpg?v=1788869921"},{"product_id":"buddy-holly-listen-to-me","title":"Buddy Holly – Listen To Me","description":"\u003ch4\u003eBuddy Holly – Listen To Me\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003eListen To Me\u003c\/em\u003e is a classic 1958 UK 7\" EP from Buddy Holly, released on Coral Records as FEP 2002. Originally issued during Holly's extraordinary run of late-1950s recordings, the EP brings together four essential tracks that showcase his distinctive blend of rock ’n’ roll energy, melodic pop songwriting and rockabilly influence.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe EP opens with “Listen To Me”, a beautifully melodic Buddy Holly composition written with producer Norman Petty. Holly's characteristically youthful vocal sits alongside crisp guitar work and a restrained rhythm section, demonstrating the more sophisticated pop sensibility that increasingly distinguished his records from the harder-edged rock ’n’ roll of the period.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eNext comes “Peggy Sue”, one of Buddy Holly and The Crickets' defining recordings. Originally released as a single in 1957, the song became a major international hit and remains one of the most recognisable recordings of the early rock ’n’ roll era. Written by Holly, Jerry Allison and Norman Petty, its distinctive stuttering drum pattern and instantly memorable guitar-led arrangement helped establish a template for countless later rock and pop records.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eSide B pairs “I'm Gonna Love You Too” with “Everyday”, two superb examples of Holly's ability to make short, economical pop songs feel completely distinctive. “I'm Gonna Love You Too” combines driving rock ’n’ roll rhythm with Holly's bright vocal delivery, while “Everyday” takes a gentler, almost dreamy approach. Recorded with the close involvement of producer Norman Petty, “Everyday” became one of Holly's most enduring compositions and has remained a favourite among fans of early rock, pop and rockabilly.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eWhat makes \u003cem\u003eListen To Me\u003c\/em\u003e particularly appealing to collectors is the way these four tracks capture different sides of Buddy Holly's musical personality. From the infectious rock ’n’ roll of “I'm Gonna Love You Too” and the iconic “Peggy Sue” to the tender songwriting of “Everyday”, the EP provides a concise snapshot of an artist who was already pushing beyond the conventions of 1950s rock music.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Buddy Holly vinyl, original 1950s rock ’n’ roll, rockabilly and early British EPs\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eListen To Me\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a particularly desirable format. The original UK Coral FEP 2002 pressing is a genuine period release rather than a later compilation, making it an excellent addition to collections focused on Buddy Holly, The Crickets and the formative years of rock music.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eListen To Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePeggy Sue\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eI'm Gonna Love You Too\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEveryday\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sPX5p6elBzE?si=T6NpNXEWL9xmHYQl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Coral Records","offers":[{"title":"Default Title","offer_id":55259502969174,"sku":"FEP 2002","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_00eaf808-7f14-4da3-a226-fb00a83a04c2.jpg?v=1788872993"},{"product_id":"the-mods-something-on-my-mind","title":"The Mods  – Something On My Mind","description":"\u003ch4\u003eThe Mods – Something On My Mind\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003eSomething On My Mind\u003c\/em\u003e is a rare 1964 UK 7\" single from The Mods, released on RCA Victor (RCA 1399). Emerging during the explosion of British beat music, the record sits firmly in the early-60s world of guitar-led pop and rock \u0026amp; roll, making it an appealing choice for collectors exploring the deeper and less familiar corners of the British beat scene. The original RCA release is now a sought-after record for collectors of obscure 1960s British singles.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe A-side, “Something On My Mind”, is a concise example of the melodic, energetic sound that defined the British beat boom. With its period RCA Victor production and straightforward pop-rock approach, it belongs to the same broad musical landscape that produced countless regional groups competing for attention in the wake of The Beatles' breakthrough.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe single is particularly interesting from a British 1960s record collecting perspective. Unlike the handful of beat groups that became household names, many acts from this period left behind only one or two singles, making original RCA, Decca, Parlophone and Pye releases increasingly desirable to collectors seeking overlooked examples of the era.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOn the B-side is “You're Making Me Blue”, giving the release a second slice of early-60s pop songwriting and making this a genuine two-sided period artefact rather than simply a one-track collector's curiosity. The combination of the two songs makes the single a useful snapshot of the lesser-known side of Britain's 1964 pop explosion.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe timing is significant: \u003cem\u003eSomething On My Mind\u003c\/em\u003e appeared in 1964, at the height of the British beat phenomenon, when the UK singles market was crowded with emerging groups and record labels were actively looking for the next big act. Contemporary trade listings place The Mods' RCA single alongside major releases of the period, confirming its place within that remarkable year of British pop history.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of rare 1960s British 45s, obscure beat, mod, freakbeat and vintage RCA Victor singles\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSomething On My Mind\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an intriguing addition. It is precisely the kind of lesser-known release that makes digging through original UK 45s so rewarding, offering a glimpse into the huge number of bands operating just outside the mainstream during the British beat boom.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eSomething On My Mind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eYou're Making Me Blue\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GGsG0oZ-bE4?si=Ae-9bXJCYi7hixtx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RCA Records","offers":[{"title":"Default Title","offer_id":55261815701846,"sku":"RCA 1399","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_08106af5-464e-4d53-83dc-4b8a7362954f.jpg?v=1788876480"},{"product_id":"mecano-the-uninvited-guest","title":"Mecano – The Uninvited Guest","description":"\u003ch4\u003eMecano – The Uninvited Guest\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003eThe Uninvited Guest\u003c\/em\u003e is a fascinating English-language 7\" single from Spanish synth-pop pioneers Mecano, issued during the early 1980s as the group attempted to introduce their music to the international market. The single is the English adaptation of “Me Colé En Una Fiesta”, one of the standout songs from Mecano's hugely successful debut album. The original Spanish version became a major hit, while this English-language version was released in markets including the UK, Netherlands and Italy as an attempt to broaden the band's international audience.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eMecano were formed in Madrid by Ana Torroja and brothers Nacho and José María Cano, and quickly became one of Spain's defining pop groups of the 1980s. Their music combined catchy pop songwriting with synthesizers, electronic rhythms and new wave influences, helping establish a distinctive Spanish take on the emerging synth-pop sound. Their self-titled debut album, released in 1982, was a major success and laid the foundation for one of the most successful Spanish-language pop careers of the decade.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe A-side, “The Uninvited Guest”, is the English-language version of “Me Colé En Una Fiesta”, written by Ignacio (Nacho) Cano. The song's brisk electronic arrangement and highly memorable melody demonstrate exactly why the original became such a successful Mecano single. In Spain, “Me Colé En Una Fiesta” topped the singles chart and was certified platinum after selling more than 100,000 copies.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe B-side, “London”, is the English-market version of “Boda En Londres”, retaining the instrumental character of the original. The song was written by Nacho Cano and provides an atmospheric counterpart to the much more immediate pop of “The Uninvited Guest”. The pairing gives this release an interesting glimpse into how Mecano's music was adapted and repackaged for audiences outside Spain.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe record is particularly appealing to collectors because the English-language experiment was not a major European commercial success, despite the enormous popularity of Mecano's Spanish recordings. As a result, \u003cem\u003eThe Uninvited Guest\u003c\/em\u003e has become a more unusual and collectible entry in the group's catalogue, especially for fans interested in international pressings, obscure synth-pop singles and the development of European electronic pop during the early 1980s.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors of Mecano vinyl, 1980s synth-pop, Spanish new wave and electronic pop\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Uninvited Guest\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is an excellent example of the band's international ambitions. It combines a rare English-language version of one of their best-known early songs with “London”, making it an especially interesting record for anyone exploring Mecano beyond their core Spanish-language catalogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eThe Uninvited Guest – 3:58\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eLondon – 3:22\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Jod1S3ulNNY?si=LtlNjobKB4gd91we\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CBS Records","offers":[{"title":"Default Title","offer_id":55261947986262,"sku":"A3140","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_fc551c31-634a-41c4-8bac-f94724d86e75.jpg?v=1788876455"},{"product_id":"hmv-product-marketing-educational-recordings","title":"HMV Product \u0026 Marketing – Educational Recordings","description":"\u003ch4\u003eHMV Product \u0026amp; Marketing – Educational Recordings\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003eAn intriguing piece of vintage educational audio and HMV history, \u003cem\u003eEducational Recordings\u003c\/em\u003e is a rare 1966 UK sampler issued by The Gramophone Co. Ltd. under catalogue number SLE 3. Rather than being a conventional music release, the record was produced to showcase HMV's educational recording material and is an interesting example of the specialist recordings being marketed by the company during the 1960s.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe record comes from a fascinating period in the history of recorded education, when vinyl records and tape recordings were increasingly being used alongside more traditional teaching methods. HMV's catalogue extended well beyond popular music and classical records, encompassing specialist educational and instructional material. Earlier HMV catalogues, for example, included dedicated educational recordings alongside language and other teaching resources.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eIssued under the HMV Product \u0026amp; Marketing name, this sampler is particularly interesting as a piece of record-industry ephemera. Its purpose was promotional as much as functional, providing an introduction to HMV's educational recording catalogue rather than presenting a conventional artist album. The Gramophone Co. Ltd. catalogue records SLE 3 as a 1966 UK release, making it a useful snapshot of HMV's specialist output during the decade.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFor collectors, this is the sort of release that sits somewhere between educational record, trade sampler and HMV memorabilia\u003cspan\u003e. Specialist and promotional records such as this were produced in comparatively small quantities and were never intended to compete with mainstream pop releases, which makes surviving copies particularly appealing to collectors of obscure British vinyl, HMV history and unusual educational recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe record is also an excellent reminder of just how broad the British record industry had become by the mid-1960s. Alongside the familiar HMV pop and classical catalogue existed a substantial world of specialist recordings designed for schools, institutions, teachers and other educational applications. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEducational Recordings\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e offers a small but fascinating window into that lesser-known side of the HMV catalogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eEducational Recordings (Sampler Record)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eEducational Recordings (Sampler Record)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"HMV Records","offers":[{"title":"Default Title","offer_id":55275802394966,"sku":"SLE3","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_5e30ae29-e5a2-46ee-95e4-29b64d5e560f.jpg?v=1788960265"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/collections\/The_Smiths_-_Heaven_Knows_I_m_Miserable_Now_7_Cover_d9206877-5727-4506-ad33-7a7efd943397.jpg?v=1773844080","url":"https:\/\/www.sounds-grounds.co.uk\/collections\/pre-loved-7-singles.oembed?page=3","provider":"Sounds + Grounds","version":"1.0","type":"link"}