{"product_id":"charlie-parker-ultimato","title":"Charlie Parker – Ultimato","description":"\u003cp data-start=\"0\" data-end=\"73\"\u003e\u003cstrong data-start=\"0\" data-end=\"31\"\u003eCharlie Parker – \u003cem data-start=\"19\" data-end=\"29\"\u003eUltimato\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-start=\"31\" data-end=\"34\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCharlie Parker\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"75\" data-end=\"453\"\u003eA powerful overview of one of bebop’s most revolutionary figures, \u003cem data-start=\"141\" data-end=\"151\"\u003eUltimato\u003c\/em\u003e captures Charlie Parker at the peak of his creative force, both in live performance and studio settings. Known as “Bird,” Parker fundamentally reshaped jazz language through rapid-fire improvisation, harmonic innovation, and an expressive intensity that continues to influence musicians across genres.\u003c\/p\u003e\n\u003cp data-start=\"455\" data-end=\"976\"\u003eThe live recordings from Los Angeles in 1946 highlight Parker’s explosive early presence on stage. Extended performances such as “I Got Rhythm” and “Oh Lady, Be Good!” showcase his ability to stretch standard forms into fast-moving improvisational flights, driven by intricate melodic ideas and rhythmic unpredictability. These performances also reflect the collaborative energy of the emerging bebop movement, alongside contemporaries like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDizzy Gillespie\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThelonious Monk\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1333\"\u003eStudio tracks such as “Summertime,” “April in Paris,” and “Everything Happens to Me” reveal a contrasting side of Parker - more restrained but still harmonically daring, with a lyrical sensitivity that balances his technical brilliance. His interpretations of standards often reframe familiar melodies through complex phrasing and unexpected harmonic turns.\u003c\/p\u003e\n\u003cp data-start=\"1335\" data-end=\"1540\"\u003ePieces like “Repetition” and “Lover” further demonstrate his improvisational control, while “The Bird” and “Mango Mangue” underline his role as both innovator and stylistic reference point for modern jazz.\u003c\/p\u003e\n\u003cp data-start=\"1542\" data-end=\"1693\"\u003e\u003cem data-start=\"1542\" data-end=\"1552\"\u003eUltimato\u003c\/em\u003e stands as a compelling portrait of Charlie Parker’s artistry - restless, groundbreaking, and essential to the evolution of 20th-century music.\u003c\/p\u003e\n\u003chr data-start=\"1695\" data-end=\"1698\"\u003e\n\u003cp data-start=\"1700\" data-end=\"1714\"\u003e\u003cstrong data-start=\"1700\" data-end=\"1714\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1716\" data-end=\"2060\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"823sa8\" data-start=\"1716\" data-end=\"1758\"\u003eAfter You’ve Gone (Live, 1946) – 7:38\u003c\/li\u003e\n\u003cli data-section-id=\"134m90l\" data-start=\"1759\" data-end=\"1803\"\u003eI Can’t Get Started (Live, 1946) – 9:20\u003c\/li\u003e\n\u003cli data-section-id=\"ir64yh\" data-start=\"1804\" data-end=\"1847\"\u003eOh Lady, Be Good! (Live, 1946) – 11:16\u003c\/li\u003e\n\u003cli data-section-id=\"132lpq\" data-start=\"1848\" data-end=\"1886\"\u003eI Got Rhythm (Live, 1946) – 12:58\u003c\/li\u003e\n\u003cli data-section-id=\"152s7d6\" data-start=\"1887\" data-end=\"1907\"\u003eThe Bird – 4:49\u003c\/li\u003e\n\u003cli data-section-id=\"u6kcue\" data-start=\"1908\" data-end=\"1930\"\u003eRepetition – 3:02\u003c\/li\u003e\n\u003cli data-section-id=\"2lmkul\" data-start=\"1931\" data-end=\"1948\"\u003eLover – 3:09\u003c\/li\u003e\n\u003cli data-section-id=\"jd1vvl\" data-start=\"1949\" data-end=\"1971\"\u003eSummertime – 2:49\u003c\/li\u003e\n\u003cli data-section-id=\"k7y8pl\" data-start=\"1972\" data-end=\"1998\"\u003eApril in Paris – 3:09\u003c\/li\u003e\n\u003cli data-section-id=\"9thli2\" data-start=\"1999\" data-end=\"2036\"\u003eEverything Happens to Me – 3:18\u003c\/li\u003e\n\u003cli data-section-id=\"n2adih\" data-start=\"2037\" data-end=\"2060\" data-is-last-node=\"\"\u003eMango Mangue – 2:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3fgxyyrqZ-I?si=yL196shU1tmYmHhl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sounds + Grounds","offers":[{"title":"Default Title","offer_id":53502914822486,"sku":"9788498154344","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_15c8bb6c-c215-4564-be62-0e624c86bc0e.jpg?v=1778149874","url":"https:\/\/www.sounds-grounds.co.uk\/products\/charlie-parker-ultimato","provider":"Sounds + Grounds","version":"1.0","type":"link"}