{"product_id":"diana-krall-the-girl-in-the-other-room","title":"Diana Krall – The Girl In The Other Room","description":"\u003cp data-start=\"0\" data-end=\"88\"\u003e\u003cstrong data-start=\"0\" data-end=\"46\"\u003eDiana Krall – \u003cem data-start=\"16\" data-end=\"44\"\u003eThe Girl in the Other Room\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-start=\"46\" data-end=\"49\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDiana Krall\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"90\" data-end=\"421\"\u003eA darker, more personal departure from the traditional jazz standards that defined her earlier work, \u003cem data-start=\"191\" data-end=\"219\"\u003eThe Girl in the Other Room\u003c\/em\u003e reveals Diana Krall moving into more introspective and songwriter-driven territory. Blending jazz, blues, folk, and subtle pop influences, the album feels intimate, atmospheric, and emotionally direct.\u003c\/p\u003e\n\u003cp data-start=\"423\" data-end=\"721\"\u003eFor the first time in her career, Krall takes a major role in the songwriting process, co-writing several tracks with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eElvis Costello\u003c\/span\u003e\u003c\/span\u003e. The result is a collection that feels deeply personal, with themes of memory, distance, longing, and emotional resilience running throughout.\u003c\/p\u003e\n\u003cp data-start=\"723\" data-end=\"1160\"\u003eThe album balances original material with carefully chosen interpretations, including striking versions of songs by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTom Waits\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJoni Mitchell\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMose Allison\u003c\/span\u003e\u003c\/span\u003e, and Elvis Costello himself. Rather than relying on lush orchestration, many of the arrangements are sparse and moody, allowing Krall’s smoky vocal phrasing and understated piano work to take centre stage.\u003c\/p\u003e\n\u003cp data-start=\"1162\" data-end=\"1492\"\u003eTracks like “Temptation” and “Almost Blue” lean into late-night jazz noir atmospheres, while originals such as the title track and “Narrow Daylight” showcase a more vulnerable and reflective side of Krall’s artistry. “Black Crow” introduces a restless, road-worn energy that contrasts beautifully with the album’s quieter moments.\u003c\/p\u003e\n\u003cp data-start=\"1494\" data-end=\"1698\"\u003e\u003cem data-start=\"1494\" data-end=\"1522\"\u003eThe Girl in the Other Room\u003c\/em\u003e stands as one of Diana Krall’s most distinctive recordings - less polished and romantic than her earlier releases, but richer in emotional complexity and artistic individuality.\u003c\/p\u003e\n\u003chr data-start=\"1700\" data-end=\"1703\"\u003e\n\u003cp data-start=\"1705\" data-end=\"1719\"\u003e\u003cstrong data-start=\"1705\" data-end=\"1719\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"1721\" data-end=\"2075\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"1i0dddc\" data-start=\"1721\" data-end=\"1748\"\u003eStop This World – 3:59\u003c\/li\u003e\n\u003cli data-section-id=\"8m26zx\" data-start=\"1749\" data-end=\"1787\"\u003eThe Girl in the Other Room – 4:05\u003c\/li\u003e\n\u003cli data-section-id=\"1e47356\" data-start=\"1788\" data-end=\"1810\"\u003eTemptation – 4:28\u003c\/li\u003e\n\u003cli data-section-id=\"a4j30w\" data-start=\"1811\" data-end=\"1834\"\u003eAlmost Blue – 4:04\u003c\/li\u003e\n\u003cli data-section-id=\"x62tib\" data-start=\"1835\" data-end=\"1870\"\u003eI’ve Changed My Address – 4:47\u003c\/li\u003e\n\u003cli data-section-id=\"1gb6wv0\" data-start=\"1871\" data-end=\"1901\"\u003eLove Me Like a Man – 5:49\u003c\/li\u003e\n\u003cli data-section-id=\"60dhk1\" data-start=\"1902\" data-end=\"1933\"\u003eI’m Pulling Through – 4:03\u003c\/li\u003e\n\u003cli data-section-id=\"1tmx2a4\" data-start=\"1934\" data-end=\"1956\"\u003eBlack Crow – 4:48\u003c\/li\u003e\n\u003cli data-section-id=\"gv6ed8\" data-start=\"1957\" data-end=\"1984\"\u003eNarrow Daylight – 3:32\u003c\/li\u003e\n\u003cli data-section-id=\"1kmffg2\" data-start=\"1985\" data-end=\"2018\"\u003eAbandoned Masquerade – 5:11\u003c\/li\u003e\n\u003cli data-section-id=\"ns9iuv\" data-start=\"2019\" data-end=\"2050\"\u003eI’m Coming Through – 5:07\u003c\/li\u003e\n\u003cli data-section-id=\"v1e58e\" data-start=\"2051\" data-end=\"2075\" data-is-last-node=\"\"\u003eDeparture Bay – 5:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s-v963zOwa4?si=czzZkQ3ya9GxAPdD\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":53501770498390,"sku":"VERW33682","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_f41ff75e-c8fb-488a-95f9-db9af8e686de.jpg?v=1778143313","url":"https:\/\/www.sounds-grounds.co.uk\/products\/diana-krall-the-girl-in-the-other-room","provider":"Sounds + Grounds","version":"1.0","type":"link"}