{"product_id":"dizzy-gillespie-ultimato","title":"Dizzy Gillespie – Ultimato","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:40eae792-861f-444f-9101-665efb1af443-38\" data-testid=\"conversation-turn-54\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"14c2506b-f5eb-43cd-ba01-ace8bcc00c12\" dir=\"auto\" data-message-model-slug=\"gpt-5-3-mini\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"52\"\u003e\u003cstrong\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDizzy Gillespie\u003c\/span\u003e\u003c\/span\u003e – \u003cem data-start=\"40\" data-end=\"50\"\u003eUltimato\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"54\" data-end=\"273\"\u003eA vibrant, all-star portrait of one of bebop’s founding architects, \u003cem data-start=\"122\" data-end=\"132\"\u003eUltimato\u003c\/em\u003e captures Dizzy Gillespie in a wide-ranging, electrifying showcase of small-group firepower, big-band imagination, and global jazz influence.\u003c\/p\u003e\n\u003cp data-start=\"275\" data-end=\"768\"\u003eAcross these sessions, Gillespie is joined by an extraordinary roster of collaborators, including \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCharlie Parker\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThelonious Monk\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRoy Eldridge\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eOscar Peterson\u003c\/span\u003e\u003c\/span\u003e, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eStan Getz\u003c\/span\u003e\u003c\/span\u003e, each bringing their own distinct voice to the bebop and modern jazz continuum. The result is a record that feels less like a single session and more like a summit meeting of jazz’s greatest minds.\u003c\/p\u003e\n\u003cp data-start=\"770\" data-end=\"1230\"\u003eFrom the intricate bebop lines of \u003cem data-start=\"804\" data-end=\"815\"\u003eBloomdido\u003c\/em\u003e and \u003cem data-start=\"820\" data-end=\"845\"\u003eWee (AKA Allen’s Alley)\u003c\/em\u003e to the lyrical depth of \u003cem data-start=\"870\" data-end=\"891\"\u003eI Remember Clifford\u003c\/em\u003e by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBenny Golson\u003c\/span\u003e\u003c\/span\u003e, the album moves effortlessly between technical brilliance and emotional expression. Gillespie’s trumpet—brilliant, playful, and rhythmically fearless - anchors every setting, whether in high-speed improvisation or more reflective moments like \u003cem data-start=\"1175\" data-end=\"1188\"\u003eCome Sunday\u003c\/em\u003e by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDuke Ellington\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1232\" data-end=\"1459\"\u003eThe inclusion of Afro-Cuban and Latin-tinged pieces such as \u003cem data-start=\"1292\" data-end=\"1326\"\u003eChega De Saudade (No More Blues)\u003c\/em\u003e and \u003cem data-start=\"1331\" data-end=\"1344\"\u003eFiesta Mojo\u003c\/em\u003e further reflects Gillespie’s role as a pioneer in bringing global rhythmic traditions into modern jazz vocabulary.\u003c\/p\u003e\n\u003cp data-start=\"1461\" data-end=\"1572\"\u003e\u003cem data-start=\"1461\" data-end=\"1471\"\u003eUltimato\u003c\/em\u003e stands as a celebration of collaboration, innovation, and the boundless energy of bebop at its peak.\u003c\/p\u003e\n\u003cp data-start=\"1574\" data-end=\"1588\"\u003e\u003cstrong data-start=\"1574\" data-end=\"1588\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1590\" data-end=\"1910\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e1 Birk’s Works – 4:54\u003cbr data-start=\"1611\" data-end=\"1614\"\u003e2 Bloomdido – 3:24\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e3 Sometimes I’m Happy – 5:22\u003cbr data-start=\"1663\" data-end=\"1666\"\u003e4 Wee (AKA Allen’s Alley) – 8:26\u003cbr data-start=\"1698\" data-end=\"1701\"\u003e5 I Remember Clifford – 4:47\u003cbr data-start=\"1729\" data-end=\"1732\"\u003e6 Con Alma – 9:26\u003cbr data-start=\"1749\" data-end=\"1752\"\u003e7 Ool Ya Koo – 5:37\u003cbr data-start=\"1771\" data-end=\"1774\"\u003e8 The Umbrella Man – 2:40\u003cbr data-start=\"1799\" data-end=\"1802\"\u003e9 Fiesta Mojo – 3:50\u003cbr data-start=\"1822\" data-end=\"1825\"\u003e10 Chega De Saudade (No More Blues) – 5:55\u003cbr data-start=\"1867\" data-end=\"1870\"\u003e11 Come Sunday – 3:00\u003cbr data-start=\"1891\" data-end=\"1894\"\u003e12 Be-Bop – 6:17\u003c\/p\u003e\n\u003cp data-start=\"1590\" data-end=\"1910\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C0wEX1tgyNw?si=JzJBXYcNYNaUvNBM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Universal Music","offers":[{"title":"Default Title","offer_id":53507020718422,"sku":"9788498154467","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_f42bd1f8-9697-4e45-8fee-23453619af99.jpg?v=1778168556","url":"https:\/\/www.sounds-grounds.co.uk\/products\/dizzy-gillespie-ultimato","provider":"Sounds + Grounds","version":"1.0","type":"link"}