{"product_id":"miles-davis-ascenseur-pour-lechafaud-lift-to-the-scaffold-original-soundtrack-complete-recordings","title":"Miles Davis – Ascenseur Pour L'Échafaud (Lift To The Scaffold) Original Soundtrack - Complete Recordings","description":"\u003ch4 data-start=\"0\" data-end=\"135\"\u003e\n\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMiles Davis\u003c\/span\u003e\u003c\/span\u003e – \u003cem data-start=\"40\" data-end=\"133\"\u003eAscenseur Pour L'Échafaud (Lift To The Scaffold) – Original Soundtrack: Complete Recordings\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp data-start=\"137\" data-end=\"333\"\u003eA landmark fusion of jazz and cinema, \u003cem data-start=\"175\" data-end=\"202\"\u003eAscenseur Pour L'Échafaud\u003c\/em\u003e captures Miles Davis at his most atmospheric and instinctive, creating one of the most influential film soundtracks ever recorded.\u003c\/p\u003e\n\u003cp data-start=\"335\" data-end=\"706\"\u003eOriginally composed for the 1958 French noir film by director \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLouis Malle\u003c\/span\u003e\u003c\/span\u003e, the music was famously improvised live in the studio while Davis and his ensemble watched scenes projected on screen. The result is haunting, sparse, and emotionally charged - music that feels inseparable from the shadowy streets and late-night tension of the film itself.\u003c\/p\u003e\n\u003cp data-start=\"708\" data-end=\"1193\"\u003eBacked by a group of leading French jazz musicians, Davis uses silence, space, and tone with extraordinary restraint. Tracks such as \u003cem data-start=\"841\" data-end=\"874\"\u003eFlorence Sur Les Champs-Élysées\u003c\/em\u003e and \u003cem data-start=\"879\" data-end=\"904\"\u003eJulien Dans L’ascenseur\u003c\/em\u003e drift through smoky trumpet lines and minimalist accompaniment, creating a mood of loneliness, suspense, and quiet inevitability. The inclusion of alternate takes and complete session recordings offers a fascinating glimpse into the spontaneity and creative process behind the soundtrack.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1404\"\u003eFar removed from the hard bop energy of his American recordings from the same period, this music points toward the modal and cinematic explorations that would later define some of Davis’s most celebrated work.\u003c\/p\u003e\n\u003cp data-start=\"1406\" data-end=\"1535\"\u003eMoody, elegant, and endlessly influential, \u003cem data-start=\"1449\" data-end=\"1476\"\u003eAscenseur Pour L'Échafaud\u003c\/em\u003e remains a cornerstone of both jazz history and film music.\u003c\/p\u003e\n\u003cp data-start=\"1537\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1537\" data-end=\"1551\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1553\" data-end=\"2422\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e1 Générique – 2:45\u003cbr data-start=\"1571\" data-end=\"1574\"\u003e2 L’assassinat De Carala – 2:10\u003cbr data-start=\"1605\" data-end=\"1608\"\u003e3 Sur L’autoroute – 2:15\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e4 Julien Dans L’ascenseur – 2:07\u003cbr data-start=\"1667\" data-end=\"1670\"\u003e5 Florence Sur Les Champs-Élysées – 2:50\u003cbr data-start=\"1710\" data-end=\"1713\"\u003e6 Dîner Au Motel – 3:58\u003cbr data-start=\"1736\" data-end=\"1739\"\u003e7 Évasion De Julien – 0:53\u003cbr data-start=\"1765\" data-end=\"1768\"\u003e8 Visite Du Vigile – 2:00\u003cbr data-start=\"1793\" data-end=\"1796\"\u003e9 Au Bar Du Petit Bac – 2:50\u003cbr data-start=\"1824\" data-end=\"1827\"\u003e10 Chez Le Photographe Du Motel – 3:50\u003cbr data-start=\"1865\" data-end=\"1868\"\u003e11 Nuit Sur Les Champs-Élysées (Take 1) – 2:25\u003cbr data-start=\"1914\" data-end=\"1917\"\u003e12 Nuit Sur Les Champs-Élysées (Take 2) – 5:20\u003cbr data-start=\"1963\" data-end=\"1966\"\u003e13 Nuit Sur Les Champs-Élysées (Take 3) – 2:47\u003cbr data-start=\"2012\" data-end=\"2015\"\u003e14 Nuit Sur Les Champs-Élysées (Take 4) – 2:59\u003cbr data-start=\"2061\" data-end=\"2064\"\u003e15 Assassinat (Take 1) – 2:02\u003cbr data-start=\"2093\" data-end=\"2096\"\u003e16 Assassinat (Take 2) – 2:10\u003cbr data-start=\"2125\" data-end=\"2128\"\u003e17 Assassinat (Take 3) – 2:10\u003cbr data-start=\"2157\" data-end=\"2160\"\u003e18 Motel – 3:56\u003cbr data-start=\"2175\" data-end=\"2178\"\u003e19 Final (Take 1) – 3:05\u003cbr data-start=\"2202\" data-end=\"2205\"\u003e20 Final (Take 2) – 3:00\u003cbr data-start=\"2229\" data-end=\"2232\"\u003e21 Final (Take 3) – 4:04\u003cbr data-start=\"2256\" data-end=\"2259\"\u003e22 Ascenseur – 1:57\u003cbr data-start=\"2278\" data-end=\"2281\"\u003e23 Le Petit Bal (Take 1) – 2:40\u003cbr data-start=\"2312\" data-end=\"2315\"\u003e24 Le Petit Bal (Take 2) – 2:53\u003cbr data-start=\"2346\" data-end=\"2349\"\u003e25 Séquence Voiture (Take 1) – 2:56\u003cbr data-start=\"2384\" data-end=\"2387\"\u003e26 Séquence Voiture (Take 2) – 2:16\u003c\/p\u003e\n\u003cp data-start=\"1553\" data-end=\"2422\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/em0LbTF1fpg?si=7hZvsVlK3lBEXx0a\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fontana Records","offers":[{"title":"Default Title","offer_id":53524547928406,"sku":"836 305 2","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_6029957d-7350-4019-a5ad-7af0a9ac0836.jpg?v=1778233281","url":"https:\/\/www.sounds-grounds.co.uk\/products\/miles-davis-ascenseur-pour-lechafaud-lift-to-the-scaffold-original-soundtrack-complete-recordings","provider":"Sounds + Grounds","version":"1.0","type":"link"}