{"product_id":"miles-davis-miles-davis-at-carnegie-hall-the-complete-concert","title":"Miles Davis – Miles Davis At Carnegie Hall - The Complete Concert","description":"\u003cp data-start=\"0\" data-end=\"94\"\u003e\u003cstrong\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMiles Davis\u003c\/span\u003e\u003c\/span\u003e – \u003cem data-start=\"40\" data-end=\"92\"\u003eMiles Davis At Carnegie Hall: The Complete Concert\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"96\" data-end=\"364\"\u003eA landmark live recording, \u003cem data-start=\"123\" data-end=\"153\"\u003eMiles Davis At Carnegie Hall\u003c\/em\u003e captures two distinct but deeply connected forces in modern jazz: the streamlined intensity of the Miles Davis Quintet and the expansive orchestral imagination of arranger \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGil Evans\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"366\" data-end=\"789\"\u003eRecorded in 1961, this concert sits at a pivotal moment in Davis’s evolution - bridging the hard bop language of the 1950s with the modal explorations that would soon define his most influential work. The Quintet performances are sharp, focused, and rhythmically charged, featuring extended improvisations on pieces like \u003cem data-start=\"685\" data-end=\"694\"\u003eSo What\u003c\/em\u003e, \u003cem data-start=\"696\" data-end=\"702\"\u003eOleo\u003c\/em\u003e, and \u003cem data-start=\"708\" data-end=\"718\"\u003eNo Blues\u003c\/em\u003e, where space and melodic development take precedence over sheer speed.\u003c\/p\u003e\n\u003cp data-start=\"791\" data-end=\"1333\"\u003eIn contrast, the Gil Evans orchestra sets unfold with cinematic depth and harmonic richness. Works such as \u003cem data-start=\"898\" data-end=\"914\"\u003eSpring Is Here\u003c\/em\u003e and \u003cem data-start=\"919\" data-end=\"931\"\u003eNew Rhumba\u003c\/em\u003e showcase Evans’s signature orchestral textures - lush, layered, and carefully sculpted around Davis’s restrained, lyrical trumpet voice. The closing interpretation of \u003cem data-start=\"1097\" data-end=\"1122\"\u003eEn Aranjuez Con Tu Amor\u003c\/em\u003e (the Adagio from \u003cem data-start=\"1140\" data-end=\"1163\"\u003eConcierto de Aranjuez\u003c\/em\u003e) stands as one of the most emotionally expansive moments in Davis’s recorded output, blending jazz improvisation with classical form in a deeply atmospheric performance.\u003c\/p\u003e\n\u003cp data-start=\"1335\" data-end=\"1530\"\u003eTogether, these two halves form a portrait of an artist in transition: one foot in the hard-swinging language of modern jazz, the other reaching toward a broader, more cinematic and modal future.\u003c\/p\u003e\n\u003cp data-start=\"1532\" data-end=\"1546\"\u003e\u003cstrong data-start=\"1532\" data-end=\"1546\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1548\" data-end=\"1722\"\u003e\u003cstrong data-start=\"1548\" data-end=\"1573\"\u003eFirst Half of Concert\u003c\/strong\u003e\u003cbr data-start=\"1573\" data-end=\"1576\"\u003e1 So What – 12:01\u003cbr data-start=\"1593\" data-end=\"1596\"\u003e2 Spring Is Here – 4:03\u003cbr data-start=\"1619\" data-end=\"1622\"\u003e3 Teo – 9:10\u003cbr data-start=\"1634\" data-end=\"1637\"\u003e4 Walkin’ – 9:32\u003cbr data-start=\"1653\" data-end=\"1656\"\u003e5 The Meaning Of The Blues \/ Lament – 4:34\u003cbr data-start=\"1698\" data-end=\"1701\"\u003e6 New Rhumba – 4:07\u003c\/p\u003e\n\u003cp data-start=\"1724\" data-end=\"1893\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1724\" data-end=\"1750\"\u003eSecond Half of Concert\u003c\/strong\u003e\u003cbr data-start=\"1750\" data-end=\"1753\"\u003e1 Someday My Prince Will Come – 2:55\u003cbr data-start=\"1789\" data-end=\"1792\"\u003e2 Oleo – 7:19\u003cbr data-start=\"1805\" data-end=\"1808\"\u003e3 No Blues – 10:38\u003cbr data-start=\"1826\" data-end=\"1829\"\u003e4 I Thought About You – 5:00\u003cbr data-start=\"1857\" data-end=\"1860\"\u003e5 En Aranjuez Con Tu Amor – 17:05\u003c\/p\u003e\n\u003cp data-start=\"1724\" data-end=\"1893\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cWGvsyeayFk?si=PdUJMHN0LhaJDMf8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Columbia Records","offers":[{"title":"Default Title","offer_id":53525413921110,"sku":"C2K 65027","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_05be505e-3ef6-48b4-8354-29746b73ae96.jpg?v=1778236572","url":"https:\/\/www.sounds-grounds.co.uk\/products\/miles-davis-miles-davis-at-carnegie-hall-the-complete-concert","provider":"Sounds + Grounds","version":"1.0","type":"link"}