{"product_id":"mudhoney-every-good-boy-deserves-fudge","title":"Mudhoney – Every Good Boy Deserves Fudge","description":"\u003ch4 class=\"PDq2pG_selectionAnchorContainer\"\u003eMudhoney – Every Good Boy Deserves Fudge\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eMudhoney – Every Good Boy Deserves Fudge is a landmark of the early Seattle alternative rock scene, capturing the band's raw, fuzz-heavy sound at a time when grunge was beginning to move from the underground into the mainstream. Released in 1991, the album combines garage rock, punk, psychedelic rock and heavy guitar distortion with Mudhoney's irreverent songwriting and famously abrasive energy.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the short, explosive \"Generation Genocide\", before launching into the driving \"Let It Slide\" and \"Good Enough.\" \"Something So Clear\" brings a more melodic dimension, while \"Thorn\" and \"Into The Drink\" return to the band's stripped-back garage-punk attack.\u003c\/p\u003e\n\u003cp\u003eOne of the album's highlights, \"Broken Hands,\" stretches beyond six minutes, giving Mudhoney space to explore a darker and more psychedelic side of their sound. The second side continues with \"Who You Drivin' Now?\", \"Move Out\" and \"Shoot The Moon\", maintaining the album's combination of catchy riffs and chaotic guitar textures.\u003c\/p\u003e\n\u003cp\u003e\"Fuzz Gun '91\" is a concise blast of distorted garage rock, while \"Pokin' Around\" and \"Don't Fade IV\" showcase the band's ability to combine noise and melody. The album closes with \"Check-Out Time,\" bringing this raw and unpredictable collection to an appropriately ragged conclusion.\u003c\/p\u003e\n\u003cp\u003eMudhoney were among the most important bands to emerge from Seattle's independent music scene, alongside fellow Sub Pop artists who helped establish the sound and culture that would become known as grunge. Unlike some of the more polished commercial releases that followed, \u003cem\u003eEvery Good Boy Deserves Fudge\u003c\/em\u003e retains the rough edges, punk attitude and underground spirit that defined the movement.\u003c\/p\u003e\n\u003cp\u003eFor fans of Mudhoney, grunge, Sub Pop, Seattle alternative rock, garage rock, punk and distorted guitar music, \u003cem\u003eEvery Good Boy Deserves Fudge\u003c\/em\u003e is an essential early-1990s record and a standout example of the rawer side of the grunge era.\u003c\/p\u003e\n\u003ch4\u003eTracklist\u003c\/h4\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGeneration Genocide – 1:13\u003c\/li\u003e\n\u003cli\u003eLet It Slide – 2:35\u003c\/li\u003e\n\u003cli\u003eGood Enough – 3:26\u003c\/li\u003e\n\u003cli\u003eSomething So Clear – 4:13\u003c\/li\u003e\n\u003cli\u003eThorn – 2:10\u003c\/li\u003e\n\u003cli\u003eInto The Drink – 2:08\u003c\/li\u003e\n\u003cli\u003eBroken Hands – 6:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho You Drivin' Now? – 2:21\u003c\/li\u003e\n\u003cli\u003eMove Out – 3:32\u003c\/li\u003e\n\u003cli\u003eShoot The Moon – 2:27\u003c\/li\u003e\n\u003cli\u003eFuzz Gun '91 – 1:52\u003c\/li\u003e\n\u003cli\u003ePokin' Around – 3:30\u003c\/li\u003e\n\u003cli\u003eDon't Fade IV – 3:58\u003c\/li\u003e\n\u003cli\u003eCheck-Out Time – 3:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1tbJZoRiOWc?si=p-9Hj5MmzhQzsr8p\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":54984166703446,"sku":"SP105","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_fc0c0db6-68bf-43a6-b2a0-300a8ae23e50.jpg?v=1786705981","url":"https:\/\/www.sounds-grounds.co.uk\/products\/mudhoney-every-good-boy-deserves-fudge","provider":"Sounds + Grounds","version":"1.0","type":"link"}