{"product_id":"the-engine-room-a-history-of-jazz-drumming-from-storyville-to-52nd-street","title":"The Engine Room: A History Of Jazz Drumming From Storyville To 52nd Street","description":"\u003cp data-start=\"0\" data-end=\"78\"\u003e\u003cstrong data-start=\"0\" data-end=\"78\"\u003eThe Engine Room: A History Of Jazz Drumming From Storyville To 52nd Street\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"80\" data-end=\"404\"\u003eA definitive four-part survey of jazz drumming’s evolution, \u003cem data-start=\"140\" data-end=\"157\"\u003eThe Engine Room\u003c\/em\u003e traces the instrument’s transformation from early New Orleans rhythmic foundations to the explosive innovations of bebop and modern jazz. Across decades of recordings, it captures how drummers shaped the pulse, drive, and identity of jazz itself.\u003c\/p\u003e\n\u003cp data-start=\"406\" data-end=\"792\"\u003eThe collection opens in \u003cstrong data-start=\"430\" data-end=\"462\"\u003eNew Orleans \u0026amp; Chicago Styles\u003c\/strong\u003e, where pioneers like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBaby Dodds\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eZutty Singleton\u003c\/span\u003e\u003c\/span\u003e establish the language of early jazz percussion. Here, drumming is both timekeeper and storyteller—supporting collective improvisation with syncopated rhythms, press rolls, and street-band energy rooted in Storyville traditions.\u003c\/p\u003e\n\u003cp data-start=\"794\" data-end=\"1228\"\u003eIn \u003cstrong data-start=\"797\" data-end=\"814\"\u003eSwing Is Here\u003c\/strong\u003e, the music shifts into the big band era, driven by figures such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGene Krupa\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJo Jones\u003c\/span\u003e\u003c\/span\u003e, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBuddy Rich\u003c\/span\u003e\u003c\/span\u003e. The drum kit becomes more prominent and expressive, anchoring swing orchestras while also stepping forward as a solo voice. This era defines the classic “propulsive swing” feel that dominated dance halls and radio broadcasts.\u003c\/p\u003e\n\u003cp data-start=\"1230\" data-end=\"1559\"\u003e\u003cstrong data-start=\"1230\" data-end=\"1251\"\u003eBig Band Drumming\u003c\/strong\u003e expands the orchestral role further, showcasing the sophistication of drummers like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChick Webb\u003c\/span\u003e\u003c\/span\u003e and others who refined coordination, dynamics, and rhythmic drive within large ensembles. The drum kit is now fully integrated into complex arrangements, balancing power with precision.\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1933\"\u003eFinally, \u003cstrong data-start=\"1570\" data-end=\"1583\"\u003eModernism\u003c\/strong\u003e documents the leap into bebop and beyond, led by innovators such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMax Roach\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eArt Blakey\u003c\/span\u003e\u003c\/span\u003e. Here, drumming becomes conversational and highly interactive, emphasizing independence, texture, and rhythmic abstraction. The drummer is no longer just timekeeper, but equal partner in improvisation.\u003c\/p\u003e\n\u003cp data-start=\"1935\" data-end=\"2109\"\u003eSpanning early jazz through modernism, this collection stands as an essential chronicle of how drummers shaped jazz from the ground up—literally the engine room of the music.\u003c\/p\u003e\n\u003cp data-start=\"2111\" data-end=\"2125\"\u003e\u003cstrong data-start=\"2111\" data-end=\"2125\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2127\" data-end=\"2159\"\u003e\u003cstrong data-start=\"2127\" data-end=\"2159\"\u003eNew Orleans \u0026amp; Chicago Styles\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"2161\" data-end=\"3069\"\u003e\n\u003cli data-section-id=\"ttsi1l\" data-start=\"2161\" data-end=\"2206\"\u003eTony Sbarbaro – Dixie Jass Band One-Step\u003c\/li\u003e\n\u003cli data-section-id=\"gdvivb\" data-start=\"2207\" data-end=\"2243\"\u003eBaby Dodds – Canal Street Blues\u003c\/li\u003e\n\u003cli data-section-id=\"yof71b\" data-start=\"2244\" data-end=\"2284\"\u003eLouis Cottrell – New Orleans Wiggle\u003c\/li\u003e\n\u003cli data-section-id=\"imwseg\" data-start=\"2285\" data-end=\"2325\"\u003eAndrew Hilaire – Black Bottom Stomp\u003c\/li\u003e\n\u003cli data-section-id=\"1nocmon\" data-start=\"2326\" data-end=\"2359\"\u003eBaby Dodds – Wolverine Blues\u003c\/li\u003e\n\u003cli data-section-id=\"1izbvcs\" data-start=\"2360\" data-end=\"2407\"\u003eChauncey Morehouse – At The Jazz Band Ball\u003c\/li\u003e\n\u003cli data-section-id=\"1wwrllm\" data-start=\"2408\" data-end=\"2440\"\u003eBen Pollack – Memphis Blues\u003c\/li\u003e\n\u003cli data-section-id=\"h0crjh\" data-start=\"2441\" data-end=\"2468\"\u003eGene Krupa – China Boy\u003c\/li\u003e\n\u003cli data-section-id=\"k4ciad\" data-start=\"2469\" data-end=\"2502\"\u003eBob Conselman – Clarenetitis\u003c\/li\u003e\n\u003cli data-section-id=\"n4xgju\" data-start=\"2503\" data-end=\"2539\"\u003eVic Berton – Bone Yard Shuffle\u003c\/li\u003e\n\u003cli data-section-id=\"t1zfue\" data-start=\"2540\" data-end=\"2579\"\u003eSid Catlett – She’s Crying For Me\u003c\/li\u003e\n\u003cli data-section-id=\"1dlzif1\" data-start=\"2580\" data-end=\"2626\"\u003eZutty Singleton – Smilin’ The Blues Away\u003c\/li\u003e\n\u003cli data-section-id=\"138jdt3\" data-start=\"2627\" data-end=\"2655\"\u003ePaul Barbarin – Panama\u003c\/li\u003e\n\u003cli data-section-id=\"17h9kmh\" data-start=\"2656\" data-end=\"2705\"\u003eTubby Hall – Way Down Yonder In New Orleans\u003c\/li\u003e\n\u003cli data-section-id=\"1ai0nf0\" data-start=\"2706\" data-end=\"2740\"\u003eManzie Johnson – Weary Blues\u003c\/li\u003e\n\u003cli data-section-id=\"x2b7m1\" data-start=\"2741\" data-end=\"2779\"\u003eDave Tough – Nobody’s Sweetheart\u003c\/li\u003e\n\u003cli data-section-id=\"181tj5k\" data-start=\"2780\" data-end=\"2818\"\u003eSid Catlett – Dear Old Southland\u003c\/li\u003e\n\u003cli data-section-id=\"5cegs8\" data-start=\"2819\" data-end=\"2860\"\u003eZutty Singleton – King Porter Stomp\u003c\/li\u003e\n\u003cli data-section-id=\"1maveyt\" data-start=\"2861\" data-end=\"2890\"\u003eMorey Feld – Copenhagen\u003c\/li\u003e\n\u003cli data-section-id=\"1f3th18\" data-start=\"2891\" data-end=\"2933\"\u003eGeorge Wettling – The Sheik Of Araby\u003c\/li\u003e\n\u003cli data-section-id=\"dlq4yv\" data-start=\"2934\" data-end=\"2967\"\u003eRay Bauduc – Muskrat Ramble\u003c\/li\u003e\n\u003cli data-section-id=\"e82uaj\" data-start=\"2968\" data-end=\"3031\"\u003eDanny Alvin – Blame It On The Blues (Quincy Street Stomp)\u003c\/li\u003e\n\u003cli data-section-id=\"1yyy89g\" data-start=\"3032\" data-end=\"3069\"\u003eBaby Dodds – Buddy Bolden Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"3071\" data-end=\"3088\"\u003e\u003cstrong data-start=\"3071\" data-end=\"3088\"\u003eSwing Is Here\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"3090\" data-end=\"4005\"\u003e\n\u003cli data-section-id=\"45i3h8\" data-start=\"3090\" data-end=\"3127\"\u003eGene Krupa – Nobody’s Sweetheart\u003c\/li\u003e\n\u003cli data-section-id=\"d4pbl1\" data-start=\"3128\" data-end=\"3164\"\u003eBill Beason – Dicky Wells Blues\u003c\/li\u003e\n\u003cli data-section-id=\"1yo5ww1\" data-start=\"3165\" data-end=\"3196\"\u003eSam Weiss – Let’s Swing It\u003c\/li\u003e\n\u003cli data-section-id=\"43sxa1\" data-start=\"3197\" data-end=\"3230\"\u003eTommy Benford – Crazy Rhythm\u003c\/li\u003e\n\u003cli data-section-id=\"5bw7b3\" data-start=\"3231\" data-end=\"3268\"\u003eAlvin Burroughs – Down Home Jump\u003c\/li\u003e\n\u003cli data-section-id=\"10gqi25\" data-start=\"3269\" data-end=\"3300\"\u003eBuddy Rich – Jim Jam Stomp\u003c\/li\u003e\n\u003cli data-section-id=\"helsf3\" data-start=\"3301\" data-end=\"3328\"\u003eAlex Mitchell – Looney\u003c\/li\u003e\n\u003cli data-section-id=\"6f1df4\" data-start=\"3329\" data-end=\"3355\"\u003eNick Fatool – Shivers\u003c\/li\u003e\n\u003cli data-section-id=\"1ptlx92\" data-start=\"3356\" data-end=\"3399\"\u003eCozy Cole – Shufflin’ At The Hollywood\u003c\/li\u003e\n\u003cli data-section-id=\"hk40sf\" data-start=\"3400\" data-end=\"3441\"\u003eGus Johnson – Hootie’s Ignorant Oil\u003c\/li\u003e\n\u003cli data-section-id=\"5ujhks\" data-start=\"3442\" data-end=\"3475\"\u003eSid Catlett – Linger Awhile\u003c\/li\u003e\n\u003cli data-section-id=\"jxz68u\" data-start=\"3476\" data-end=\"3515\"\u003eO’Neil Spencer – Front And Center\u003c\/li\u003e\n\u003cli data-section-id=\"6u6vtd\" data-start=\"3516\" data-end=\"3549\"\u003eJ.C. Heard – I May Be Wrong\u003c\/li\u003e\n\u003cli data-section-id=\"bdrokx\" data-start=\"3550\" data-end=\"3583\"\u003eJo Jones – Destination K.C.\u003c\/li\u003e\n\u003cli data-section-id=\"muaqdh\" data-start=\"3584\" data-end=\"3631\"\u003eGeorge Wettling – Too Marvelous For Words\u003c\/li\u003e\n\u003cli data-section-id=\"7lgo95\" data-start=\"3632\" data-end=\"3668\"\u003eEddie Dell – Seven Come Eleven\u003c\/li\u003e\n\u003cli data-section-id=\"1wignal\" data-start=\"3669\" data-end=\"3707\"\u003eSpecs Powell – A Bunch Of Rhythm\u003c\/li\u003e\n\u003cli data-section-id=\"1sucwsg\" data-start=\"3708\" data-end=\"3751\"\u003eJimmy Crawford – Behind The Eight Bar\u003c\/li\u003e\n\u003cli data-section-id=\"1wersb5\" data-start=\"3752\" data-end=\"3802\"\u003eSam “Baby” Lovett – Gotta Gimme What You Got\u003c\/li\u003e\n\u003cli data-section-id=\"1ekcltx\" data-start=\"3803\" data-end=\"3850\"\u003eLouie Bellson – I Want To Go Where You Go\u003c\/li\u003e\n\u003cli data-section-id=\"vgyuhg\" data-start=\"3851\" data-end=\"3885\"\u003eKansas Fields – Jonah’s Wail\u003c\/li\u003e\n\u003cli data-section-id=\"1tawzpr\" data-start=\"3886\" data-end=\"3924\"\u003eJackie Mills – Airiness A La Nat\u003c\/li\u003e\n\u003cli data-section-id=\"1kpdw3z\" data-start=\"3925\" data-end=\"3967\"\u003eSonny Payne – Boogie Woogie Barbecue\u003c\/li\u003e\n\u003cli data-section-id=\"1ncif3d\" data-start=\"3968\" data-end=\"4005\"\u003eBuddy Rich – I Want To Be Happy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"4007\" data-end=\"4028\"\u003e\u003cstrong data-start=\"4007\" data-end=\"4028\"\u003eBig Band Drumming\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"4030\" data-end=\"4867\"\u003e\n\u003cli data-section-id=\"2pc37u\" data-start=\"4030\" data-end=\"4061\"\u003eCuba Austin – Put It There\u003c\/li\u003e\n\u003cli data-section-id=\"176l9nn\" data-start=\"4062\" data-end=\"4107\"\u003eWalter Johnson – Down South Camp Meeting\u003c\/li\u003e\n\u003cli data-section-id=\"f2z6ew\" data-start=\"4108\" data-end=\"4145\"\u003eBen Thigpen – Walkin’ \u0026amp; Swingin’\u003c\/li\u003e\n\u003cli data-section-id=\"1mt866k\" data-start=\"4146\" data-end=\"4179\"\u003eMo Purtill – Jivin’ The Jeep\u003c\/li\u003e\n\u003cli data-section-id=\"192qe6i\" data-start=\"4180\" data-end=\"4214\"\u003eGene Krupa – Sing, Sing, Sing\u003c\/li\u003e\n\u003cli data-section-id=\"1761szl\" data-start=\"4215\" data-end=\"4237\"\u003eChick Webb – Lisa\u003c\/li\u003e\n\u003cli data-section-id=\"143ihsr\" data-start=\"4238\" data-end=\"4271\"\u003eRay Bauduc – Wolverine Blues\u003c\/li\u003e\n\u003cli data-section-id=\"1bug3xi\" data-start=\"4272\" data-end=\"4313\"\u003eJimmy Crawford – T’Ain’t What You Do\u003c\/li\u003e\n\u003cli data-section-id=\"1sicscy\" data-start=\"4314\" data-end=\"4340\"\u003eCozy Cole – Ratamacue\u003c\/li\u003e\n\u003cli data-section-id=\"1pjpvr2\" data-start=\"4341\" data-end=\"4382\"\u003eJ.C. Heard – Wham (Re-Bop-Boom-Bam)\u003c\/li\u003e\n\u003cli data-section-id=\"110ro82\" data-start=\"4383\" data-end=\"4410\"\u003eJo Jones – Tickle Toe\u003c\/li\u003e\n\u003cli data-section-id=\"1m38yf\" data-start=\"4411\" data-end=\"4444\"\u003eJesse Price – Dameron Stomp\u003c\/li\u003e\n\u003cli data-section-id=\"1ciwlye\" data-start=\"4445\" data-end=\"4476\"\u003eSid Catlett – Pound Ridge\u003c\/li\u003e\n\u003cli data-section-id=\"qffq8l\" data-start=\"4477\" data-end=\"4519\"\u003eRudolph Taylor – Up Jumped The Devil\u003c\/li\u003e\n\u003cli data-section-id=\"1egyzs5\" data-start=\"4520\" data-end=\"4556\"\u003eSonny Greer – Jumpin’ Pumpkins\u003c\/li\u003e\n\u003cli data-section-id=\"1f2axi9\" data-start=\"4557\" data-end=\"4599\"\u003ePanama Francis – Little John Special\u003c\/li\u003e\n\u003cli data-section-id=\"1pxbzt\" data-start=\"4600\" data-end=\"4633\"\u003eDave Tough – The Good Earth\u003c\/li\u003e\n\u003cli data-section-id=\"u0i22t\" data-start=\"4634\" data-end=\"4663\"\u003eLou Fromm – Moten Swing\u003c\/li\u003e\n\u003cli data-section-id=\"kvwxdx\" data-start=\"4664\" data-end=\"4699\"\u003eShadow Wilson – In The Middle\u003c\/li\u003e\n\u003cli data-section-id=\"12l9goo\" data-start=\"4700\" data-end=\"4729\"\u003eBuddy Rich – Quiet Riot\u003c\/li\u003e\n\u003cli data-section-id=\"zd46nd\" data-start=\"4730\" data-end=\"4762\"\u003eKenny Clarke – Our Delight\u003c\/li\u003e\n\u003cli data-section-id=\"1k6ju46\" data-start=\"4763\" data-end=\"4795\"\u003eArt Blakey – Oo Bop Sh’Bam\u003c\/li\u003e\n\u003cli data-section-id=\"1kcy6wj\" data-start=\"4796\" data-end=\"4834\"\u003eShelly Manne – How High The Moon\u003c\/li\u003e\n\u003cli data-section-id=\"hbu2c7\" data-start=\"4835\" data-end=\"4867\"\u003eDon Lamond – Four Brothers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-start=\"4869\" data-end=\"4882\"\u003e\u003cstrong data-start=\"4869\" data-end=\"4882\"\u003eModernism\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-start=\"4884\" data-end=\"5692\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"10ysu4e\" data-start=\"4884\" data-end=\"4911\"\u003eDenzil Best – Rifftide\u003c\/li\u003e\n\u003cli data-section-id=\"506n0e\" data-start=\"4912\" data-end=\"4941\"\u003eJ.C. Heard – Congo Blues\u003c\/li\u003e\n\u003cli data-section-id=\"15cxs52\" data-start=\"4942\" data-end=\"4971\"\u003eSpecs Powell – Get Happy\u003c\/li\u003e\n\u003cli data-section-id=\"1ruphpj\" data-start=\"4972\" data-end=\"5006\"\u003eRoy Porter – Moose The Mooche\u003c\/li\u003e\n\u003cli data-section-id=\"1ho4tr7\" data-start=\"5007\" data-end=\"5042\"\u003eJackie Mills – Commercial Eyes\u003c\/li\u003e\n\u003cli data-section-id=\"14iiuop\" data-start=\"5043\" data-end=\"5087\"\u003eChico Hamilton – Lester’s Be-Bop Boogie\u003c\/li\u003e\n\u003cli data-section-id=\"p847id\" data-start=\"5088\" data-end=\"5123\"\u003eHarold “Doc” West – Easy Swing\u003c\/li\u003e\n\u003cli data-section-id=\"912uel\" data-start=\"5124\" data-end=\"5163\"\u003eDon Lamond – Relaxing At Camarillo\u003c\/li\u003e\n\u003cli data-section-id=\"1h1ytbi\" data-start=\"5164\" data-end=\"5195\"\u003eChuck Thompson – The Chase\u003c\/li\u003e\n\u003cli data-section-id=\"16rz0ud\" data-start=\"5196\" data-end=\"5243\"\u003eTiny Kahn – All God’s Children Got Rhythm\u003c\/li\u003e\n\u003cli data-section-id=\"n0v5rc\" data-start=\"5244\" data-end=\"5281\"\u003eMax Roach – Klact-Oveeseds-Tene\u003c\/li\u003e\n\u003cli data-section-id=\"1kt40jd\" data-start=\"5282\" data-end=\"5311\"\u003eCharles Simon – Lop-Pow\u003c\/li\u003e\n\u003cli data-section-id=\"thpsps\" data-start=\"5312\" data-end=\"5341\"\u003eArt Mardigan – Dextrose\u003c\/li\u003e\n\u003cli data-section-id=\"1g9x61f\" data-start=\"5342\" data-end=\"5371\"\u003eShadow Wilson – Wee Dot\u003c\/li\u003e\n\u003cli data-section-id=\"h5hk88\" data-start=\"5372\" data-end=\"5414\"\u003eRoy Haynes – Jumpin’ At The Woodside\u003c\/li\u003e\n\u003cli data-section-id=\"bk240l\" data-start=\"5415\" data-end=\"5444\"\u003eShelly Manne – The Bird\u003c\/li\u003e\n\u003cli data-section-id=\"5l19tc\" data-start=\"5445\" data-end=\"5477\"\u003eJoe Harris – The Last Word\u003c\/li\u003e\n\u003cli data-section-id=\"t41v4g\" data-start=\"5478\" data-end=\"5514\"\u003eJack “The Bear” Parker – Dinky\u003c\/li\u003e\n\u003cli data-section-id=\"1p7uum0\" data-start=\"5515\" data-end=\"5545\"\u003eKenny Clarke – Lady Bird\u003c\/li\u003e\n\u003cli data-section-id=\"1m61yrq\" data-start=\"5546\" data-end=\"5574\"\u003eStan Levey – More Brew\u003c\/li\u003e\n\u003cli data-section-id=\"zybkuy\" data-start=\"5575\" data-end=\"5609\"\u003eEd Shaughnessy – Pina Colada\u003c\/li\u003e\n\u003cli data-section-id=\"1mb78nh\" data-start=\"5610\" data-end=\"5640\"\u003eTeddy Stewart – Oh Henry\u003c\/li\u003e\n\u003cli data-section-id=\"14dl4xn\" data-start=\"5641\" data-end=\"5665\"\u003eSonny Igoe – Shawn\u003c\/li\u003e\n\u003cli data-section-id=\"1s7z1tt\" data-start=\"5666\" data-end=\"5692\" data-is-last-node=\"\"\u003eArt Blakey – Bop Alley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wp_2xr6gp8A?si=XXiMeWnfiERvAXQn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Proper Records","offers":[{"title":"Default Title","offer_id":53476020912470,"sku":"PROPERBOX 2","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1009\/1013\/7686\/files\/rn-image_picker_lib_temp_91015714-efc3-4669-ae78-8fb1a68f5a47.jpg?v=1778074192","url":"https:\/\/www.sounds-grounds.co.uk\/products\/the-engine-room-a-history-of-jazz-drumming-from-storyville-to-52nd-street","provider":"Sounds + Grounds","version":"1.0","type":"link"}