Mendelssohn, Boston Symphony Orchestra, Charles Munch – Symphony No. 4 In A 'Italian' / Symphony No. 5 In D Minor 'Reformation'

Mendelssohn, Boston Symphony Orchestra, Charles Munch – Symphony No. 4 In A 'Italian' / Symphony No. 5 In D Minor 'Reformation'

£3.00
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Mendelssohn, Boston Symphony Orchestra, Charles Munch – Symphony No. 4 In A 'Italian' / Symphony No. 5 In D Minor 'Reformation'

Mendelssohn, Boston Symphony Orchestra, Charles Munch – Symphony No. 4 In A 'Italian' / Symphony No. 5 In D Minor 'Reformation'

£3.00
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Mendelssohn – Symphony No. 4 In A 'Italian' / Symphony No. 5 In D Minor 'Reformation'

Felix Mendelssohn's Symphony No. 4 In A Major, Op. 90 ("Italian") and Symphony No. 5 In D Minor, Op. 107 ("Reformation") bring together two of the composer's most celebrated orchestral works. Performed by the Boston Symphony Orchestra under Charles Munch, this recording showcases Mendelssohn's remarkable ability to combine elegant Romantic orchestration with vivid melodies, dramatic contrasts and powerful rhythmic energy.

The Italian Symphony was inspired by Mendelssohn's travels through Italy and reflects the composer's response to the country's landscapes, culture and atmosphere. Its famous opening movement, Allegro Vivace, immediately establishes an exhilarating sense of movement and brightness, while the Andante Con Moto provides a more contemplative contrast. The graceful Con Moto Moderato leads into the famous Saltarello: Presto, whose rapid rhythms and infectious energy bring the symphony to a thrilling conclusion.

The Reformation Symphony, composed earlier but published posthumously, takes its name from its association with the 300th anniversary of the Augsburg Confession. Mendelssohn incorporates the Lutheran chorale "Ein' Feste Burg Ist Unser Gott" into the final movement, giving the work its distinctive religious and ceremonial character. From the dramatic opening Allegro Con Fuoco through the energetic second movement and reflective Andante, the symphony builds towards its powerful chorale finale.

Charles Munch was particularly associated with the French and German Romantic repertoire, and his work with the Boston Symphony Orchestra produced many acclaimed recordings. His interpretation of Mendelssohn brings clarity and momentum to these contrasting works, balancing the lightness and elegance of the Italian with the darker, more monumental character of the Reformation.

An excellent addition to any Mendelssohn vinyl collection, this album is ideal for listeners and collectors interested in Romantic classical music, symphonic repertoire and historic orchestral recordings. Fans of Mendelssohn, Beethoven, Schubert, Schumann and Brahms will find these two contrasting symphonies particularly rewarding.

Tracklist

Symphony No. 4 In A, Op. 90 ("Italian")

  1. I Allegro Vivace
  2. II Andante Con Moto
  3. III Con Moto Moderato
  4. IV Saltarello: Presto

Symphony No. 5 In D Minor, Op. 107 ("Reformation")

  1. I Allegro Con Fuoco
  2. II Allegro Vivace
  3. III Andante
  4. IV Andante Con Moto (Chorale: "Ein' Feste Burg Ist Unser Gott"): Allegro Vivace

Record Details

Label RCA Records
Catalogue Number CCV 5035
Year of Release 1958
Country of Pressing UK
Speed 33 RPM
Decade 1950's
Media Condition VG+
Sleeve Condition VG+
Format Notes Vinyl LP, Reissue

Play tested

Details

This record has been play tested and graded appropriately please product description.

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